A Quote by Rebecca MacKinnon

It takes a strong stomach and a thick skin to be a female activist fighting online censorship in Pakistan. — © Rebecca MacKinnon
It takes a strong stomach and a thick skin to be a female activist fighting online censorship in Pakistan.
I think censorship in the name of fighting fake news is a dangerous thing for Pakistan.
Having a thick skin doesn't mean that you're hard or harsh. I was lucky because I was born with a thick skin. That doesn't mean that things don't bother me, but you have to keep it in perspective.
If your friend is critical [of your work], you have to have a very thick skin and a thick skin is something that only builds up after it's callused for awhile.
Music business is hard. It's very difficult. And it's not for everyone. Even if you can sing or even if you can write a song, it takes a lot of determination, it takes some kind of thick skin.
I have pretty thick skin, and I think if you're going to be in this business, if you're going to be an actor or a writer, you better have a thick skin.
As in Pakistan, Tunisian and Egyptian human rights activists are concerned that any censorship mechanisms, once put in place, will inevitably be abused for political purposes no matter what censorship proponents claim to the contrary.
In the performing arts you have to have thick, thick, thick skin, because of all the rejection you face on a daily basis, and the fact that work never lasts for very long. But you need thin, thin, thin skin in order to access all of your emotions and your creativity so that you can express it. You can't be dead inside. Otherwise you've got nothing to give. So it's a paradox, that we have to exist in both planes in order to do what we do.
Even if you can sing or even if you can write a song, it takes a lot of determination, it takes some kind of thick skin, because you got to persevere despite the fact that people tell you you shouldn't do this or you shouldn't do that or you're not good enough or your style's too different. I've heard all of that stuff.
What I do is sometimes - at least in Germany - met with wounding campaigns. I always face the question: should I grow myself a thick skin and ignore it, or should I let myself be wounded? I've decided to be wounded, since, if I grew a thick skin, there are other things I wouldn't feel any more.
I would say the more significant factor of my starting late is that I developed a sufficiently thick skin to be able to - just about - handle the knocks that a fledgling comedian takes.
You know, when you go to high school or, you know, when kids are younger and there's not an understanding of differences. But I built up a very strong, thick skin.
You have to have a thin skin. As a creative person, you have to. You can't get a thick skin.
I don't see myself as an activist. I understand that people, with me doing 'Satyameva Jayate,' for example, they will feel that I'm being an activist, but I'm not. Actually, I'm not, because I think an activist, as I see it, as a person who is very, very - takes up one issue and remains with that one issue for his entire life. I'm not doing that.
When you're in the public eye, it allows people to see you inhumanely. There's this idea that you have to take the abuse. And when younger journalists, especially young female journalists, ask me how I handle social media, I hate myself when I have to tell them to condition themselves and develop a thick skin.
I'm strong enough and have a pretty thick skin, but when people go after my kids, I just hit block-delete, block-delete. It's my mantra.
I do feel privileged to play Elektra, because definitely she is a strong female character. She's a strong character. It would be nice if eventually we'd just say she's a strong character, not a strong female character.
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