A Quote by Rebecca Mader

The danger with playing someone tough is that the character can become two-dimensional and mean and nobody likes her. — © Rebecca Mader
The danger with playing someone tough is that the character can become two-dimensional and mean and nobody likes her.
With any television series - and it's something that is taken for granted with movies because you have the whole arc within two hours - you establish who the character is and it's a two-dimensional version, or if you're lucky, a two and a half-dimensional character. Once you establish that, you can move forward and break all the rules. Once the audience has accepted who the person is, then you can do the exact opposite. What makes it funny and interesting is doing the opposite.
No actor can play a villain if they don't sympathise with him or her - otherwise the character just becomes a two-dimensional caricature.
Love yourself. Nobody's perfect. I mean, come on, nobody is perfect. Not you, not your mom, even the people on TV - nobody is perfect, and there's always something that nobody likes, but you know, you just accept that. Your imperfections make you beautiful. It's those things you find you don't like that someone else finds very special and very unique about you.
When I leave the theater I can always hear people talking about the character, and everyone always says, "You know, I know someone like her." And I always think, Everyone knows someone like the characters; nobody is like the character. Nobody wants to admit that they are a little bit like that.
Pellegrini gave me back the joy of playing football. He is like Arsene Wenger: someone who likes to joke, someone who likes to talk and take an interest in your life.
She moved from being a young woman into having the angular look of a queen, someone who has made her face with her desire to be a certain kind of person. He still likes that about her. Her smartness, the fact that she did not inherit that look or that beauty, but it was something searched for and that it will always reflect a present stage of her character.
'Robin's Test' is more contemporary than what I normally do. It's about couples going on a camping holiday for a 50th birthday. Two couples go, and then this other couple were going to come, but they've broken up, and so the man from that couple turns up, but with a new girlfriend that nobody likes - and I'm playing that character.
Nobody wants to play a one-dimensional character.
There is no such thing as playing someone else's character. Every actor takes a character and makes it his/her own while enacting it on screen.
This is a corny actor thing to say, but the first step is that you can't judge the character that you're playing. If it's built in three-dimensional fashion, you'll just play a character who's going out and seeking the best version of their life that they can find. That gives the character an accessibility that everyone can identify with.
JR was a 1-dimensional, evil character. JR was multi-dimensional, and Larry Hagman is probably one of the greatest actors that we have. Then, you go back and look at 'I Dream of Jeannie' - I mean, he's a comic genius, as well. So, I think they should give him an honorary Emmy Award.
There are two things a real man likes - danger and play; and he likes woman because she is the most dangerous of play things.
We always see Aung San as a strong, tough woman. There are two stories running in parallel. You see the contradictions between the East and the West, and you see someone who does mundane and normal things - someone who's supposed to be a housewife - and then someone who's become important and imprisoned.
If you meet someone on the street that likes something that you did or likes the way you brought this character to life, that's really rewarding. That's really cool.
If I'm playing someone who's smart, suddenly every character I've played is smart. If I'm playing a bad guy, every character is a bad guy. I suppose it's that thing where people want to see a through-line to understand you. I mean, you know, I have played pretty ordinary people too.
Some virtues, when they become fashions, also become exaggerated. Just because nobody likes a judgmental attitude does not mean that there isn't a sort of spoiled, self-righteous hypocrisy when one man obsessively commands other men not to judge without knowing the circumstances without himself, too, knowing their circumstances behind their judgments.
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