A Quote by Rebecca Miller
The script is the musical score, and everyone has to play off that score. Even I have to interpret it. The producers are there to eliminate obstacles to that interpretation.
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I don't pick tournaments to score or rivals or other teams to score against. I'm a striker: every game I play, I want to score.
When I grew up, I tried to score off every ball, be it a 10-over-match, a 20-over, or even a Test match. If I stay in the wicket for, say, about 30 minutes, I want to make the most of it and score maximum runs possible. You never know when you get out; try to score as much possible before that.
Being an impatient guy, even off the field, I would always look to score runs and score them quickly. Sometimes I panic if runs are not coming.
I don't go out and just try to score. I score because there is an opportunity to score.
I'm not going on the pitch just to score goals, I am going on there first to win and to play well and then, if I have the chance to score as well, that's even better.
As a point guard, you don't really have to score. The only time you have to score is when you have to score.
I think we can keep people off-balance and ultimately we have to go score points, score one more point than the other team.
Before 'Memphis,' I had never considered working on a musical. But when Joe DiPietro sent me the script, I heard the entire score in my head.
I'm satisfied with the way I play, but I don't evaluate my performances. I worry about what I can contribute defensively. I don't need to score. As long as we win, I don't care how many points I score.
You're allowed to rip-off another score so close that it's ridiculous. In my opinion it's ridiculous, how closely one can just rip-off a score that happened a year or two earlier.
It bothers me that the average fan, the average sportswriter for that matter, pays so much attention to what's in a box score. A box score does not properly represent the most important thing - team play. It shows some guy scoring 27 points, but it doesn't show that my 27-point man let his guy score 30.
The thing I expect from myself, when I play, is to score, in every game. If I don't, then it happens. But when you start a game, if you are a striker, you need to score.
If I score a goal in training, it feels great. But in a stadium, especially Anfield, or even when you score away and the fans are silent, it's just amazing. You are just in the moment. There are times when I've scored, and I can't even remember what happened. It's so good.
I want to play in every match, score goals when the opportunity presents itself, and help players in good positions to also score goals.
If I score, the better. But if everyone could choose, they would choose to win and not to score.
To me, score is really important. I would rather not have any score if it's something that's going to detract from the film. So often when I watch films, the score is what really bothers me.
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