A Quote by Rebecca Miller
At best, I think of a director as a magnet. You get all the metal fillings in all the individual actors and crew, and get those filings moving toward your magnetic direction.
Related Quotes
We studied the light source in the direction of the magnetic force, we perforated the poles of the magnet; but even in the direction of the magnetic lines of force we found that our result was confirmed.
According to well-known electrodynamic laws, an electron moving in a magnetic field is acted upon by a force which runs perpendicular to the direction of motion of the electron and to the direction of the magnetic field, and whose magnitude is easily determined.
Romeo wants Juliet as the filings want the magnet; and if no obstacles intervene he moves towards her by as straight a line as they. But Romeo and Juliet, if a wall be built between them, do not remain idiotically pressing their faces against its opposite sides like the magnet and the filings with the card. Romeo soon finds a circuitous way, by scaling the wall or otherwise, of touching Juliet's lips directly. With the filings the path is fixed; whether it reaches the end depends on accidents. With the lover it is the end which is fixed, the path may be modified indefinitely.
One of the challenges of being a director is often you don't get to work with your peers. You know, writers can write together, and as a director you get to work with so many wonderful actors and writers and designers. But it's pretty rare that you get a chance to partner in that way with another director.
You collapse a few times, and you put your head in your hands, and you say, "Oh my god, how am I gonna get through this?" You have a few of those nights, and then you get over it and you keep it moving. And those nights... As you get more used to the strain, I guess those nights are fewer and farther between. So that's the best you can hope for. It's a tough job and it's a lot to pull out of your brain.
When something goes wrong, what's the best course of action? To change your direction. The word repentance means to stop going one direction (your own way) and turn toward the right direction (God's way). Your past may be a part of who you are, but it certainly doesn't have to define your future. Or if you feel stuck and unable to change directions and move toward God, think of this transformation another way. The Bible says that God is the Potter and we are his clay (Jer. 18:2-6).
If we don't have the actors, or you get the sense that some of the other people involved in making the movie don't necessarily see the movie the way you see it - all those elements, for us, we like having those things feel like they're moving in the same direction.
A bad audition is usually the director's fault, not the actor's. It's up to the director to get the atmosphere right to get the best out of your auditionees.
I'll work with a director if I think I'm going to get into a comfortable situation, and if it's someone I respect and who respects me, even if they're not so well known. Movies are hard to make, and you have to work toward a common ethic and do your best.
You are the most powerful magnet in the universe! You contain a magnetic power within you that is more powerful than anything in this world, and this unfathomable magnetic power is emitted through your thoughts
Your actors need to trust you as a director, but normally, I think you just need to have an open communication between the actors and the director. I think the director needs to really paint his or her vision to the cast and let them know the kind of mood that he or she is making. I think that's very important.
I'm not a great director or an auteur; I'm an ensemble director. I do think I can get wonderful performances out of actors.
The older you get, the more you realize you're drifting toward a direction, and sometimes your significant other drifts into an opposite direction. You can't blame anybody for it.
The real work of an actor goes on inside, and I don't think it changes from director to director - I always go for broke! But I don't get a lot of direction, unfortunately.
You do actor's job for intense scenes like this - you dream about them - and you get scared until the day it finally happens. But when you feel safe with your partners, the crew, and your director who all did a wonderful job, you get into the zone quickly.
It's odd, how those things happen to actors. A thing where you think, "I have no idea how to do this," something will happen in your life comes up and you just get it. I don't know how you get it, but actors are pretty extraordinary, in that regard. I think it's fear that happens.
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