A Quote by Rebecca Romijn

I know you're not supposed to have TV in your room, but I like watching a little. I need something mindless. — © Rebecca Romijn
I know you're not supposed to have TV in your room, but I like watching a little. I need something mindless.
Well you're in your little room and you're working on something good but if it's really good you're gonna need a bigger room and when you're in the bigger room you might not know what to do you might have to think of how you got started sitting in your little room
And how do you know when you're doing something right? How do you know that? It feels so. What I know now is that feelings are really your GPS system for life. When you're supposed to do something or not supposed to do something, your emotional guidance system lets you know. The trick is to learn to check your ego at the door and start checking your gut instead.
If everybody's watching, you know, all of the back room discussions and the deals, you know, then people get a little nervous, to say the least. So, you need both a public and a private position.
We came to a great country like Canada that took us in, which is amazing looking back at it. At that time, I didn't know if I wanted to play soccer or not. I didn't know what I was supposed to do with my life, but once I came to Canada and started watching it on TV, my dad and brother played and watching them play, I wanted to do that too.
Ego is like a room of your own, a room with a view with the temperature and the smells and the music that you like. You want it your own way. You'd just like to have a little peace, you'd like to have a little happiness, you know, just gimme a break.
I remember, my freshman year of college, sitting in my TV room at the end of my dorm hallway with one other girl watching the premiere of 'Beverly Hills, 90210.' And then, a year later, walking into a room packed with college students watching '90210,' and I thought, 'I wonder what it must be like to be part of a phenomenon like that.'
One night I couldn't sleep. It was like 2:00 in the morning. I was thinking, 'What can I do?' I'm watching TV. I'm like, 'Let me do something else.' I'm not going to fall asleep for a few hours. What are my hobbies? There was the masturbation option. I skipped that because just knowing my kids are down the hall I felt psychotic. So, I went with watching more TV. I couldn't come up with anything. I was going, 'God, read a book.' Then I was like this, 'Where do I keep the books?' I've got nothing to do but watch TV.
There are etiquette things that actors, new actors, need to know about. Because it only takes one mess-up on a set to get fired. Not being where you're supposed to be or saying something to the wrong person that you're not supposed to say, and those are like basic things that the actors need to know.
I feel like, growing up, I haven't had a lot of room for error - I don't have room to make mistakes. You need to make mistakes to grow and learn, but I'm just a little different because the world is watching me, every single thing I do.
I had forgotten what it was like, to be drawn to a person...I'd forgotten how your blood flows toward a person when they move, so that all at once you know what the pull of gravity feels like. and you know that this is something strong and important, something that you need for life, this woman moving through the room.
Do you have your own room, Charlie Brown?" "Oh, yes... I have a very nice room." "I hope you realize that you won't always have your own room... Someday you'll get drafted or something, and you'll have to leave your room forever!" "Why do you tell me things like that?" "It's on a list I've made up for you... I call it, Things You Might As Well Know!
They say you get nauseous in a green screen room, but I haven't yet. It's a little odd playing pretend with props and monitors that we're supposed to be watching, but I'll get used to it.
I always like to say our shows should be something that, you know, before 10 o'clock, if your kid wanders into the room, they should be able to glance at the TV, watch what's happening, but not quite know what's happening. That's always my standard.
I think, when you're a young composer, you're told constantly that what you're supposed to do is figure out what your voice is. "What is your thing supposed to sound like?" You know: "What's the thing you do," that everyone can recognizably tell from a long distance is you and then you're supposed to be in search of that marker and you're supposed to find it and you're supposed to live there for the rest of your life. And it seemed to me, from a young age, that was what I was encouraged to do. You find a sound and that's your sound! That's what you do.
Being away with a national side at a tournament can be hard - you train, go back to your hotel, and often, you sit in your room, watching TV or speaking to people at home. If there's no communal area, it can feel like being in prison, staring at the same four walls all the time.
At 21, you can live life with reckless abandon, as reckless as your abandon is. Then, at 30, there's something there are the supposed to be's. You're like, "I'm supposed to be doing this. I'm supposed to be doing that." You start measuring your life by what you think you're supposed to be doing. Having recently turned 40, it's like, "What the hell?! Why am I worried about what I'm supposed to be doing? What do I want to do?" You become fine with wherever the road takes you.
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