A Quote by Rebecca Serle
One of the things that defines YA is a really strong narrative. Adults love YA because, at the end of the day, they're good stories and page-turners. The other element is emotion. The teen years are a very emotional and intense time, and I think it's a time we that we can all relate to and remember.
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This treadmill lifestyle ain't workin for me...
It's from ya crib to ya lab to ya job to make a profit,
And at the day's end you still got nothing accomplished.
It's only five rappers out of Atlanta who bussin and I'm one of 'em; the other four you know who you are; but if you gotta think twice (well) shawty ya ain't nice; regardless of ya publishin' deal ya can't write
I think that's what distinguishes YA from adult fiction - it's not just the age of the characters, but it's the sense of hope. Because I don't think I've ever read a YA book that feels completely hopeless at the end.
In episodic television you'll have a good guy who's on every week and that's his show! He's the regular on it, and you're not going to be "gooder" than he is; I mean, he's the guy who's got to solve your problem! So if you're playing a good guy, you have to have a problem, and he's going to solve it for you. And the only really strong dramatic part is the heavy, because the meaner and crueler and rottener you are, the better the good guy looks when he whips ya' at the end because he always is gonna whip ya! So, the best dramatic guest shot is the heavy.
He had the kind of face only a mother could love. If that mother was blind in one eye, and had that sort of milky film over the other one, ya..ya know, ya know what I mean? But still he was my identical twin.
The only thing that makes a book YA is that it is about teenagers, and it is written in a very conventional, non-artsy, non-pretentious way. YA is not the place for the oblique or the cryptic. If it is in any way experimental in form, it is not YA.
When I see ya baby girl, I miss feelin on ya. I miss everything that's real about ya and that's everything about ya, that's just how I feel about ya
Do what ya have to do to pay off yer debt with Heaven,’ he said, his concern for proper speech abandoned. ‘But ya do not die on me, ya understand? I can’t live without ya. Yer all I got, woman.’ Her breath caught in her lungs. ‘I don’t want to be here if you’re not.
Love is a very intense and strong emotion, and it'll make you do some weird things. But I'm always for love, and I think when you find something really special, you need to do whatever you have to do to hold onto it.
As someone who writes and teaches YA fiction, I spend a lot of time trying to define its character and readership, and I don't think I'm alone - genres are all about boundary drawing, and the YA genre is, in a lot of ways, about carving out boundaries around adolescence, a space for teenagers to do teenage things.
A good friend is someone who gets ya drunk and then walks ya home afterwards.
If ya ain't got it in ya, ya can't blow it out.
When you down and out don't nobody trust ya, but when you got bread it seems like everybody love ya.
I watch a lot of teen TV and read a lot of YA novels. I also talk to teens whenever I can. There are cultural differences between when I was a teen and now, but emotions - anger, angst, love - are the same.
I must be honest here; I don't think there's such a thing as 'unconventional' when it comes to YA. YA readers are the most open-minded in the literary world. They'll read anything.
Bent Literary Agency had a Q&A on Twitter, and I took a chance and asked if the Black Lives Matter movement was an appropriate topic for a YA novel. Brooks Sherman, who is now my agent, responded that he didn't think any topics were inappropriate for YA. I remember being so terrified even just sending the tweet.
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