A Quote by Rebecca Serle
Shakespeare is so fundamental to the way we see story. A tremendous amount of narratives come from him - more than many authors are aware, I think.
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If I say that Shakespeare is the greatest of intellects, I have said all concerning him. But there is more in Shakespeare's intellect than we have yet seen. It is what I call an unconscious intellect; there is more virtue in it that he himself is aware of.
I think I see a tremendous amount of waste. I see a tremendous amount of job opportunities that have been let go for many years, and I'm not just talking about President Obama. I'm talking about for many, many years. And I was a big, big fan of Ronald Reagan, but I was a never big fan on trade with respect to Ronald Reagan.
I think most presidents are amazed at the overwhelming responsibility they have when they enter office and the tremendous amount of work there is. See, a modern president has far more responsibility than a president years ago. And if I were rewriting the Constitution, I would suggest a president be more like a monarch and then have a prime minister under him.
There are many readers of the book, who don't know anything about the authors and the artists. There is more than one author. It doesn't matter, if you can't make the reader dive into the story and surround him with that environment and those characters. That's an experience that lasts longer than figuring out who did what. I think that's what makes our working relationship better, it helps us to make a book that feels unique and not like different voices.
There is no single test or formula for producing moral progress anymore than there is for generating scientific truths. It is a process involving theoreticians, fact-gatherers, protestors, martyrs for the cause, authors of first- person narratives who change the way we see and evaluate the distribution of harms and benefits.
I am personally convinced - and I think the Greek people share this belief in a fundamental way - that we can achieve fiscal consolidation more effectively and we can restore competitiveness in a more fundamental and permanent way within the euro area than outside.
And I just think that to introduce an unknown Shakespeare is thrilling, too - not to do Hamlet or Romeo and Juliet, to do the richer Shakespeare. People will come to this and not know the story.
These days we're all hyper-aware of the canonical way in which stories are supposed to play out - people are taught all about three-act scripting and where to put the reversal and all of that - and I think we can do more interesting narratives.
Every press secretary faces an enormous amount of information. Events move really fast. You're responsible for a tremendous amount of information, and again, a tremendous amount on competing agendas. Not everybody grease in the White House.
I think that when I was in my 20s, I wanted to go after dramatic roles, and I didn't have a tremendous amount of success with that. I kind of backed my way into comedic parts. When you're young, you kind of take yourself seriously, and you think, like, 'People need to see what I can do.' And it's so laughable, especially with actors.
Even within single sentences, there are sudden changes of register. And when the travellers go to Venice, they see a play by Voltaire! This is a novel [Candid] which has narratives within narratives, such as when Cunégonde recounts her story.
Once you understand that Goliath is much weaker than you think he is, and David has superior technology, then you say: why do we tell the story the way we do? It becomes, actually, a far more meaningful and important story in its retelling than in the kind of unsophisticated way we've done it for, I think, too long.
Was Mann himself fully aware of all the facets of his irony? Probably not - any more than Shakespeare was fully aware of all the riches subsequent critics have found in his plays.
I certainly think that many of the themes, and many of the ways that I wrote about Congo, will continue to live on in my work. One of the fundamental aspects of my work is for myself and the reader to see the world that they think they know in a different way.
It was never really one of my goals to gain tremendous amount of celebrity or make a tremendous amount of money necessarily.
We see and understand more about our behaviors. We come aware. And aware. And aware. . . Often, we feel uncertain about what to do with all this awareness.
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