A Quote by Rebecca Solnit

The process of transformation consists mostly of decay. — © Rebecca Solnit
The process of transformation consists mostly of decay.
Cut a chrysalis open, and you will find a rotting caterpillar. What you will never find is that mythical creature, half caterpillar, half butterfly, a fit emblem for the human soul, for those whose cast of mind leads them to seek such emblems. No, the process of transformation consists almost entirely of decay.
In her novel Regeneration, Pat Barker writes of a doctor who 'knew only too well how often the early stages of change or cure may mimic deterioration. Cut a chrysalis open, and you will find a rotting caterpillar. What you will never find is that mythical creature, half caterpillar, half butterfly, a fit emblem of the human soul, for those whose cast of mind leads them to seek such emblems. No, the process of transformation consists almost entirely of decay.
Kindness holds the key to the secret of our own transformation and, in the process, of the transformation of the world.
The whole process of acting is transformation. What is your power, quality and level of transformation, define you as an actor.
All things are in the act of change; thou thyself in ceaseless transformation and partial decay, and the whole universe with thee.
At it's essence, art is an alchemical process. Alchemy is a process of transformation.
There's stable subatomic particles - protons, neutrons, electrons - and then there's unstable ones that decay into stable ones. One will become many. There's this constant process of transformation that underlies everything in the entire universe. They also make these beautiful marks through time. It's like the universe was drawing, essentially, at this fundamental level. There's always an alphabet that's based in natural patterns. Sometimes they're just by themselves, sometimes they build up these other things that relate to the conception, that are more at our level of existence.
Decorating consists mostly of building enough bookshelves.
All disease, at some period or other of its course, is more or less a reparative process, not necessarily accompanied with suffering: an effort of nature to remedy a process of poisoning or of decay, which has taken place weeks, months, sometimes years beforehand, unnoticed.
We have been forced to admit for the first time in history not only the possibility of the fact of the growth and decay of the elements of matter. With radium and with uranium we do not see anything but the decay. And yet, somewhere, somehow, it is almost certain that these elements must be continuously forming. They are probably being put together now in the laboratory of the stars. ... Can we ever learn to control the process. Why not? Only research can tell.
Doctors look after me. But, basically, I look after myself. I don't overeat. I don't develop a big paunch. I do a little bit of exercise. At the same time, I believe that if you don't work, you will decay. The decay process is through not using your faculties - not using your brain, not using your body.
It is impossible to improve any process until it is standardized. If the process is shifting from here to there, then any improvement will just be one more variation that is occasionally used and mostly ignored. One must standardize, and thus stabilize the process, before continuous improvement can be made.
The first entirely vital action, so termed because it is not effected outside the influence of life, consists in the creation of the glycogenic material in the living hepatic tissue. The second entirely chemical action, which can be effected outside the influence of life, consists in the transformation of the glycogenic material into sugar by means of a ferment.
For me, making a photograph is mostly an intellectual process of understanding people or cities and their historical and phenomenological connections. At that point the photo is almost made, and all that remains is the mechanical process.
History is an account, mostly false, of events, mostly unimportant, which are brought about by rulers, mostly knaves, and soldiers, mostly fools.
London scene consists of mostly foreigners. We see ourselves as British in many ways, but not English.
This site uses cookies to ensure you get the best experience. More info...
Got it!