A Quote by Rebecca Solnit
If you look at a lot of traditional societies, they're all organized along what we might call anarchist guidelines, but it's not like the Zapatistas were reading European social theory.
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Membership in the European Community, now the European Union, has enabled Ireland to re-find its sense of participation - cultural, political, social - at the European level. I think that also opens up possibilities for Ireland as a European country to look outward - to look particularly, for example, at countries to which a lot of Irish people emigrated, to our links - our human links - with the United States, with Canada, with Australia, with New Zealand. And to look also, because of our history, at our links to the developing countries.
Coming out of university, one of my obsessions was that in the novels I was reading, they seemed to be portraying a world that had a social fabric. People knew each other in 'War and Peace.' They went to all the same balls. These were societies with tightly wound, woven, social textures.
Transcendentalism is, we might say, an early form of anarchism. The Transcendentalists also did not call themselves anarchists, but there are anarchist ideas in their thinking and in their literature. They were all suspicious of authority. We might say that the Transcendentalism played a role in creating an atmosphere of skepticism towards authority, towards government.
If you don't want to call it a European army, don't call it a European army. You can call it 'Margaret', you can call it 'Mary-Anne', you can find any name, but it is a joint effort for peace-keeping missions - the first time you have a joint, not bilateral, effort at European level.
We had this neighbor who was an actor, and he was going to an audition one day, driving by our house, and he asked if I wanted to tag along. He was reading for the part of the father, and they were reading for the part of the son the same day, and he told me to sneak in there and make it look like I knew what I was doing.
I developed a theory that, in many ways, the early 'Andy Griffith' episodes especially were an awful lot like a Capra movie. They were a lot like 'Mr. Deeds' or a lot like 'It's a Wonderful Life' in tone and presentation.
History and social sciences were my interests. I was always interested in knowing how societies get organized, why there is rich and poor divide, why there are classes. I was never apolitical. I think we are all political in a way. Politics decides our day-to-day life.
I believe you have to write every day–make the time. It’s about having an organized mind instead of a chaotic and untidy one. There is a myth that writers are bohemian and do what they like in their own way. Real writers are the most organized people on the planet. You have to be. You’re doing the work and running your own business as well. It’s an incredibly organized state. [Also reading]…one of the things reading does do is discipline your mind. There are no writers who are not readers.
The thing about frontiers, it allows the individuals who are best, whether they're men or women or minorities or whatever, to step to the top. So in traditional societies, old world societies, in the United Kingdom if you would; if you were born into the right stratus, the right class, you had the ability to succeed.
The political and social processes by which the Western European societies were put in order are not very apparent, have been forgotten, or have become habitual. They are part of our most familiar landscape, and we don't perceive them anymore. But most of them once scandalized people.
In traditional societies, we have a long legacy of men controlling the body and mind of women. Such societies have valorised motherhood and fabricated concepts like chastity. Women have been the victims of these notions for thousands of years.
Money is like a child—rarely unaccompanied. When it disappears, look to those who were supposed to be keeping an eye on it while you were at the grocery store. You might also look for someone who has a lot of extra children sitting around, with long, suspicious explanations for how they got there.
For the traditional fantasies, a lot more of my research comes from reading rather than doing. I like my worlds to feel real, so I do a lot of world building research.
A justice is not like a law professor, who might say, 'This is my theory... and this is what I'm going to be faithful to and consistent with,' and in twenty years will look back and say, 'I had a consistent theory of the First Amendment as applied to a particular area.'
If something comes along that you don't like, there are a few sort of four-letter words that you can use to push it out of the sphere of discussion. If you were in a bar downtown, they might have different words, but if you're an educated person what you use are complicated words like "conspiracy theory" or "Marxist." It's a way of pushing unpleasant questions off the agenda so that we can continue in our own happy ideology.
It's not music you can evaluate in traditional ways. If you look around at a concert, you might see what look like bored people, or maybe they're drifting, but they're just having another kind of experience, an inner thing.
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