A Quote by Rebecca Solnit
[On the] question of why we might want to look at images even more than the real thing: I think there is some quality when you look at an image of, not only seeing this thing, whether it's the horse or the sky, but you are seeing somebody point at it and say, Look!
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When you look out of a window, when you look at anything, you know what you're seeing? Yourself. A thing can only look beautiful or romantic or inspiring only if the beauty or romance or inspiration is inside you.
But I never looked like that!’ - How do you know? What is the ‘you’ you might or might not look like? Where do you find it - by which morphological or expressive calibration? Where is your authentic body? You are the only one who can never see yourself except as an image; you never see your eyes unless they are dulled by the gaze they rest upon the mirror or the lens (I am interested in seeing my eyes only when they look at you): even and especially for your own body, you are condemned to the repertoire of its images.
Your image as a model is your currency. That's the only thing you've got. No one cares what you look like in real life. Nobody is going to say the make up guy was terrible. They will say, you look awful and let's not book her again.
My point is that when you look at a rabbit and can see only a pest, or vermin, or a meal, or a commodity, or a laboratory subject, you aren't seeing the rabbit anymore. You are seeing only yourself and the schemes and appetites we bring to the world-seeing, come to think of it, like an animal instead of as a moral being with moral vision.
I don't think you can develop or learn a way of seeing or a point of view. A way of seeing is who you are, how you think and how you create images. It is something that is inside of you. It's how you look at the world.
We look up. For weeks, for months, that is all we have done. Look up. And there it is-the top of Everest. Only it is different now: so near, so close, only a little more than a thousand feet above us. It is no longer just a dream, a high dream in the sky, but a real and solid thing, a thing of rock and snow, that men can climb. We make ready. We will climb it. This time, with God's help, we will climb on to the end.
I was a businessman. I was a real estate man and a businessman. That was the first time I think that question was ever even asked of me. That was long before the war took place. Joe Scarborough just released something yesterday more on point, much nearer. He put out a tweet saying that you know, "Trump is right, look what he just said." So you have to take a look at that. But regardless. The war in Iraq was a disaster. It was probably the worst thing. If you look at the Middle East now, all started because of that horrible decision to go into Iraq.
Frankly, I get much more sensitive about what's written about me than how I look in a photo. I'm so used to people seeing my image in plays and films that what they think about how I look is none of my business. If they says, "Hey, he doesn't look good," I'm like, Whatever, because I know I look different from day to day. But if you're up there putting your heart into something and people reject your performance, that's very painful. The written word can kick your ass.
Do you ever wonder if what you look at is the same thing everyone else is seeing?' He went even stiller at her side. 'Sometimes I'm sure it isn't the same...but that's not so bad is it? Seeing the world in a different way?' Creative vision creates art' he motioned around the gallery 'that shows the rest of the world a new angle. That's a beautiful thing.
The switch has been built. Maybe you trust Barack Obama not to throw that switch, and maybe you trust George Bush not to throw that switch, but as we look towards the future, we see inequality becoming more and more acute. We're seeing more and more protests against cops and this kind of thing. We're also seeing more and more natural disasters. We're seeing more and more environmental insecurity.
One thing that's likely: How you look as you age is hereditary. Some of my family members, for example, look younger than their real age. And people have mistaken me for 30, even 25.
I've always been fascinated by Picasso and how he would look at a single image through multiple perspectives and from separate moments in time. He would look at a woman's face and he would see almost a three-dimensional look even though it was a flat canvas. I thought, well why couldn't we do the same thing with a football play?
Everyone is filtering their selfies to make them look perfect. We're seeing it more and more in my clinic - patients want to look like a photo they've tweaked. They show me the picture and say: 'This is the new me.' But many times it's not realistic.
....the designer must be able to see - make a concentrated effort to absorb the essence of the project. Seeing is a very difficult thing to do. Most people "look" at a lot of thing but never "see" anything. Looking is emotional; seeing is an intellectual process.
To suffer is one thing; another thing is living with the photographed images of suffering, which does not necessarily strengthen conscience and the ability to be compassionate. It can also corrupt them. Once one has seen such images, one has started down the road of seeing more - and more. Images transfix. Images anesthetize.
Drag can be considered so many dangerous things, which it isn't. But the one thing we're never called is misogynist, which might be the only thing that we truly are. Because no woman looks like this. You have so many real biological everyday women say: 'Oh I wish I would look like you.' They would look ridiculous if they looked like us.
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