A Quote by Rebecca Stead
I think we must all feel that there are people out there who know things about our young selves, you know, our early, early lives, that no one else can ever know.
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Verses are not, as people think, feelings (those one has early enough) -- they are experiences. For the sake of a verse one must see many cities, men, and things, one must know the animals feel how birds fly, and know the gesture with which the little flowers open in the morning.
I've known I was gay since I was young, I think. And I mean young - like, young - like 5 or 6. I think most gay people or queer people know there's something different about them very early, but I didn't know what to call it.
And questions give us no rest. We know not why our curse makes us seek we know not what, ever and ever. But we cannot resist it. It whispers to us that there are great things on this earth of ours, and that we can know them if we try, and that we must know them. We ask, why must we know, but it has no answer to give us. We must know that we may know.
I think all of us, at some point early on in our lives, knew that we wanted to create music. We are still really young and sometimes we do feel like we have to prove were as great as all the rest of the bands -old and young. But we just do what we love and people seem to be really excited about it.
I chose to be a photographer twenty-two years ago, but I don't know that I'd make that choice again. Back in the early eighties, I still thought I was doing okay, trying to order and shape the world with my camera. Now that I know a bit more about living and dying, about our planet and its complex problems, I'm a lot less comfortable with my images of people. Still, I haven't a clue what else to do.
The personal boundaries, I think for comedians they're a little bit different anyway, but I think people - feel free to do stuff - It's interesting with comedians because when we walk on stage, oftentimes we're talking about ourselves for an hour and we're talking about very intimate details, so after hearing us for an hour, a lot of people feel very comfortable with us because they feel like they know us and they're our friends because we just told them our innermost secrets and details of our lives for an hour. What they forget is we know absolutely nothing about the audience.
Love is what makes the world go around. I know it's a big cliche to use, but it is the absolute truth. There is nothing else like it. I know that is what everybody is striving to feel: in relationships, in brother- and sisterhood, and in all of the things that we aspire to have in our lives.
We wanted a musical number that would capture the exhilaration of being out on a boat as they were and sailing with the stars and all that. So that's the origin of We Know the Way. From very early on we said, for an audience that doesn't know this, what we need a song that can really have the kind of sweep and the, you know, pull you in. So that was early on, we conceived of like that should be a musical moment [in Maona].
In the early 1990s, I was signed as a singer to the same label as Robyn. She was in her early teens, and I was in my twenties, so we didn't hang out, but our paths crossed so many times that we slowly got to know each other and became friends.
I know that as a very young child, I was afraid of death. Many children become aware of the notion of death early and it can be a very troubling thing. We're all in this continuum: I'm this age now, and if I live long enough I'll be that age. I was 20 once, I was 10, I was 4. People who are 20 now will be 50 one day. They don't know that! They know it in the abstract, but they don't know it. I'd like them to know it, because I think it gives you compassion.
Young people have been ill-educated, mis-educated, propagandized. I see it in everything I read written by young people. You can spot it a mile away, their ignorance. And it's coupled with they think they're the only people that know. They're arrogant. They're a little bit smarmy about what they think they know and nobody else does, which is a characteristic of young people anyway. I was that way when I was young.
We may like to pretend otherwise, but we all have thoughts we don't want anyone else to know, things we've done that would change the way people feel about us, or parts of our lives that we would rather forget.
I think initially, our audiences were filled with young men. You know, our initial audience was a lot of young guys who I think were trying to - who you played a bit of a big brother role for and were trying to sort out a lot of the same things right - soon as "Born To Run" hit, you know? So it was something that I worked pretty hard on.
Our parents don't know us... They can't know us. We hide ourselves from them. Once they knew everything about us and in order to escape them we keep out secrets, our private selves.
I think the more we know the better we are. I mean not just facts. The more we know about each other, the closer we are to learn something about our selves.
Our great problem, is that children now know whatever they want to know - at the press of a button they can discover all horrors of the adult world. They know very early on that the world is sometimes a very dark, difficult and complex place, and the literature they read must reflect that. Otherwise we're just entertaining them to pass the time.
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