A Quote by Rebecca Stead
I'm always thinking about identity. And the middle-school years are a time of exploring questions about who you are and who you want to be. For the first time, you see the world in a broader sense.
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When I was finishing 'Now You See Me 2,' I remember thinking about exploring the Asian-American identity side of my brain.
For some years I have spent my time on exactly these questions - both in thinking about ways to prevent war, and in thinking about how to fight, survive, and terminate a war, should it occur.
There came a point sometime during high school when I started thinking about exploring acting as a career, but it was more of an intention than an actual decision. I was very interested in a lot of different subjects, but every time I envisioned myself actually pursuing one as a career, I always ended up thinking that I would rather be acting.
I like to engage the public because when I was in high school, I had all these questions about anti-matter, higher dimensions and time travel. Every time I went to the library, every time I asked people these questions, I would get some strange looks. Nobody could answer any of these questions.
My dad abandoned me when I was about two years old. So, he wasn't around to protect me the way I needed to be protected. I started getting sexually abused from the time I was about five years old to the time I was ten. It really messed with my sense of self worth and my sense of all that was good with the world, almost.
More than my questions about the efficacy of social actions were my questions about my own motives. Do i want social justice for the oppressed or do i jusy want to be known as a socially active person? I spend 95 percent of my time thinking about myself anyway. I dont have to watch the evening news to see the world is bad, i only have to look at myself. I am not brow beating here, i am only saying that true charge , true living giving, God honoring change would have to start with the individual. I was the very problem i had been protesting. I wanted to make a sign that read “I am the problem
I think at this point I only write books about questions I really want to figure out. They're indulgences, essentially. I think, 'What would I like to spend five years really thinking about? What could I gain from thinking about for five years?'
You know, I don't think a lot about why one book connects with its readers and another doesn't. Probably because I don't want to start thinking, "Am I popular?" I spent way too much time thinking about that in high school.
I turned 25. And I don't feel like... whatever, age is just a number. I still feel very young and excited about life and everything. For the first time ever I began to take a look at life and really value it, and realize that there are so many things that I want to do; travel, I want to see the world. I realized that I want to take more time for myself and take more time to see the world and spend time with friends. That sounds so basic but I never really realized that before.
If you spend a lot of time shopping for athletic clothes, you may want to consider spending less time thinking about high school.
Every time I'd ever stepped on a basketball court, AAU, middle school, high school, I always thought about the NBA.
It's a beautiful book [Into the Forest], so for those who are thinking about reading it, they absolutely should. First and foremost, I just devoured it, as a story. At that time, and still, it just encompassed a lot of things that I was thinking about, and that the world is thinking about, with society's relationship to the environment, our personal relationship to it, and how disconnected we are from it, myself included.
have a much harder time writing stories than novels. I need the expansiveness of a novel and the propulsive energy it provides. When I think about scene - and when I teach scene writing - I'm thinking about questions. What questions are raised by a scene? What questions are answered? What questions persist from scene to scene to scene?
I've asked you fifty questions and still have no sense of your life, your family, what you care about. They want to know about you, Katniss." "But I don't want them to! They're already taking my future! They can't have the things that mattered to time in the past!" I say.
When you're doing a series, you're really in a zone. You're thinking about those characters and their situations in a free-floating way all the time. They live with you all the time. So it's just as natural as breathing to be having ideas and thinking about what they're thinking about.
It wasn't that I hated being asked a bunch of questions. I had nothing against questions. I just didn't like listening to them, because some questions take forever to make sense. Sometimes waiting for a question to finish is like watching someone draw an elephant starting with the tail first. As soon as you see the tail your mind wanders all over the place and you think of a million other animals that also have tails until you don't care about the elephant because it's only one thing when you've been thinking about a million others.
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