A Quote by Rebecca Traister
In the nineteenth century, in part because a ton of American men moved west, in part because of the Civil War, and in part because of trepidation about marriage, which was then a very confining institution, there was a big population of women - mostly middle-class white women on the East Coast - who didn't marry.
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I think that it is true that for me as I observe it, that the Western World tends to be more of , tends to encompass more of, the masculine energy of the planet itself, the planet's population. Whereas the Eastern part of the world tends to encompass more of the planet's population's feminine aspects. And for those reasons the East and the West tend to approach God very much as men and women do. So the differences between East and West are the differences between men and women, largely.
I bring the experiences of women. As a daughter, as a mother, as a wife, as a sister. That is who I am. Those experiences are part of me. And it is part of our American journey that we have moved through so much of what used to hold people back because of gender, because of race.
In the middle years of the nineteenth century there first became abundant in this strange world of ours a class of men, men tending for the most part to become elderly, who are called, and who are very properly called, but who dislike extremely to be called--"Scientists.
The 19th-century pure capitalist model of society was a pyramid, concentrations of enormous wealth in a small group at the top, a not very big middle-class in the middle, and an enormous percentage of the population in the bottom part of the pyramid.
People always ask us women about how we balance our lives. Rarely do they ever ask men this but we are asked this and it makes a lot of sense - balance, right? It sounds right. And of course you do have to balance because otherwise you'd go crazy. And you do have to find ways of doing things in a sensible manner, raising children and all those choices. But then there's a part of creativity which is irrational and which is obsessive and then that's also part of what we do. So, I don't think that's a bad thing. I think that's part of what makes someone good.
There was a time, in the nineteenth century, for example, when women spoke mostly about the house, children, birth, and so forth, because it was their domain. That's changing a little, now.
You really have to get out of an actor's head to write because actors only care about their part and it revolves around their part so "This is the important part because this is the part where..." .
Why do we resist giving help to homeless men? In part because we don't understand how our pressure on men to support families often forces men to take transient jobs that are but a step away from homelessness (the death-of-a-salesman jobs, the migrant worker jobs...) and in part because we respond differently to men who fail [than women who fail].
I think a big part of feminism - and this is something I'm sure a bunch of women will take my head off for - but a big part of feminism is women allowing other women to just be the kind of women that they are.
I was part of a hip-hop group called Fly Style. I was one of two white girls, and I was part of the younger company, which was called Touch of Style. And it was amazing. It gave me a different perception of dance and beauty because the other girls were mostly African-American and Latina.
I think the public is very reluctant to get involved in more foreign wars, especially in the Middle East. And they understand, implicitly, that we go to war in the Middle East because of oil. And if we don't want to go to war in the Middle East, then we have to do something about the oil problem. And I think that view is gaining ground in the U.S.
When I was young, I used to have successes with women because I was young. Now I have successes with women because I am old. Middle age was the hardest part.
I think there's a part of society that is very for women being confident and being empowered, but I think there's another part of society that feels very threatened by women being powerful. Because of the feminist movement, a lot of women are feeling way more empowered to be themselves and do what they want to do in life.
In the middle of the nineteenth century, the United States embarked on a new relationship with death, entering into a civil war that proved bloodier than any other conflict in American history, a war that would presage the slaughter of World War I's Western Front and the global carnage of the twentieth century.
I moved to the east coast when everybody else was going to the west coast. I (then) chased it back toward the west coast. I built my career up by doing small roles (which led) to principal roles and getting bumped into main character roles.
I feel like I've always had two selves - the part of me that makes films and the part of me that's political, and they haven't really connected that much. Alias Grace talks about things like class and immigration and women's rights, which felt really good. But especially now, there are pressing things to be said. It's a really scary time in the world. It's a very scary thing to have an American president who openly brags about assaulting women and is openly racist. This isn't a moment to be speaking in metaphors.
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