A Quote by Rebecca Traister

White people loved 'The Cosby Show,' especially liberal white people. They loved it because it was a great, funny, well - written, and beautifully performed television show.
'The Cosby Show' was a show about black people that was fundamentally and unequivocally friendly to whiteness and to white people. The Huxtables had white friends.
One of the most fun characters I played on a television series, which didn't last long... was a show called 'American Gothic' that Shaun Cassidy created. I would have loved to have done that show forever. That character was so funny yet demonic. It was really good writing and a really good idea. I loved all the people on the show.
When I came to Delhi first and said, "This is not India. And then I was taken to Varanasi and there I loved, loved the culture. It was a beautiful journey. The way the people dressed - even the poorest people, and the fabrics! With vegetable dyes, and I was fascinated by the color. But in the end I loved the men - all in white - so many shades of white. And I said, "What am I going to do? A color collection or a white collection?" I finally did a neutral white collection.
I won every award you could win in television. I got paid well. And people loved '30 Rock'. And I loved '30 Rock'. I mean, sometimes you do a show that's a hit show, and you hate it.
You'd look out and there'd be little babies watching the show, and boys and girls. They loved the cowboys, and they loved Annie. There were young people seeing the show for the first time. I stayed for two years because I enjoyed it so much.
My concerts consist of black, white, Korean - everybody. And the age group is so broad, from kids to great-grandparents. I have a lot of people with disabilities who come to my show as well. I personally move them to the front of the line because the lines for my autograph signings are so long. I make sure everybody has a good time at my show.
I think Oscar Wilde wrote a poem about a robin who loved a white rose. He loved it so much that he pierced his breast and let his heart's blood turn the white rose red. Maybe this sounds very sentimental, but for anybody who has loved a career as much as I've loved mine, there can be no short cuts.
If you watch any show that stars white people, white people aren't coming up to them like, 'Thank you for showing my face on the big screen.' Because they see their faces in popular culture all the time.
'Entourage' was a show that existed around wish-fulfillment. People watched it because they wanted to believe they could go on private jets and be hanging out in Hollywood, but as a show, comedically, it was not funny. Not a funny show. It's funny, ironically, because of how terrible it is.
I love a smart, well-written show, and '30 Rock,' well, you can't get any better than that. Tina Fey poos funny. There's nothing that she does that isn't funny. That show is an example of how brilliant she is. It's so smart. They've done some brilliant commentary about the 'Housewives' with 'Queen of Jordan,' their show-within-the-show.
When I first appeared, people couldn't figure out whether I was gay, straight, black, white or whatever, and I loved that. I loved the fact it scares people.
'Rush' was an interesting experience for me because I loved that show, and I loved playing that part, and most people I spoke to who watched it really enjoyed it.
Martin Luther King really was a safety valve for white people. Any time it appeared that the black community was on the verge of really doing what we ought to do based on having been attacked, they put Martin Luther King on television. He was always saying, "We must use nonviolence. We must overcome hate with love." White people loved that. That's why they gave him a Nobel Prize. But when Martin Luther King started condemning the Vietnam War, that's when white people turned against him.
I loved television. 'Starsky and Hutch' was my show. 'SWAT.' Both Aaron Spelling shows. Loved 'em.
I've been watching 'The Cosby Show' and 'Roseanne' a lot right now, and those work so well because they're not, like, jokey comedies; they are coming from real characters. We want our show to be like that. A family show.
Up until the middle to late '60s, it was a choice to film in black-and-white or color. But then television became so vital to a film's finance, and television won't show black-and-white. So that killed it off, really.
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