A Quote by Rebecca West

Birds sat on the telegraph wires that spanned the river as the black notes sit on a staff of music. — © Rebecca West
Birds sat on the telegraph wires that spanned the river as the black notes sit on a staff of music.
In this movie they took them up in space. They're floating around and doing zero gravity stuff. Well, they had to do it all on wires. All the wires had to be painted black against this black background. If you didn't light it properly you could see the wires. Drove them crazy!
By the River Piedra I sat down and wept. There is a legend that everything that falls into the waters of this river -- leaves, insects, the feathers of birds -- is transformed into the rocks that make the riverbed. If only I could tear out my heart and hurl it into the current, then my pain and longing would be over, and I could finally forget.
You can criticize any news staff in some ways, but the one thing that you couldn't call the Village Voice staff was a staff of stenographers, taking notes from public figures and just passing them on.
Here is the door of my mom's house, well-remembered childhood portal. Here is the yard, and a set of wires that runs from the house to a wooden pole, and some fat birds sitting together on the wires, five of them lined up like beads on an abacus.
Look at the piano. You'll notice that there are white notes and black notes. Figure out the difference between them and you'll be able to make whatever kind of music you want.
An extra pressure, a silent rebuke, an unseen praising, a firm correction: all these passed between us as through telegraph wires.
Anything can become a musical sound. The wind on telegraph wires is a great sound; get it into your machine and play it and it becomes interesting.
WE DASH THE BLACK RIVER, ITS flats smooth as stone. Not a ship, not a dinghy, not one cry of white. The water lies broken, cracked from the wind. This great estuary is wide, endless. The river is brackish, blue with the cold. It passes beneath us blurring. The sea birds hang above it, they wheel, disappear. We flash the wide river, a dream of the past. The deeps fall behind, the bottom is paling the surface, we rush by the shallows, boats beached for winter, desolate piers. And on wings like the gulls, soar up, turn, look back.
For a brief time in the 1850s, the telegraph companies of England and the United States thought that they could (and should) preserve every message that passed through their wires. Millions of telegrams - in fireproof safes. Imagine the possibilities for history!
I keep a journal and just kind of take notes. I don't really so much sit down and write songs - I just take a lot of notes, and sometimes I sit down and put them all together.
Papa sat with me tonight. He brought the accordion down and sat close to where Max used to sit. I often look at his fingers and face when he plays. the accordion breathes. There are lines on his cheeks. They look drawn on, and for some reason, when I see them, I want to cry. It is not for any sadness or pride. I just like the way they move and change. Sometimes I think my papa is an accordion. When he looks at me and smiles and breathes, I hear the notes.
You have to open the music, so to speak, and see what's behind the notes because the notes are the same whether it is the music of Bach or someone else.
Even though it's called Music Of Black Origin, it's not just music for black people. Music is for everybody. I think it's good that black music is acknowledged, and it's open for lots of artists, including white artists who have been inspired by black musical heritage.
I am like a tree in a forest. Birds come to the tree, they sit on its branches and eat its fruits. To the birds, the fruit may be sweet or sour or whatever. The birds say sweet or they say sour, but from the tree's point of view, this is just the chattering of birds.
O lovely river of Yvette! O darling river! like a bride, Some dimpled, bashful, fair Lisette Thou goest to wed the Orge's tide. O lovely river Yvette! O darling stream! on balanced wings The wood-birds sang the chansonnette That here a wandering poet sings.
The howling pariah dogs, the cocks that herald dawn all night, the drumming, the moaning that will be found later white plumage huddled on telegraph wires in back gardens or fowl roosting in apple trees, the eternal sorrow that never sleeps of great Mexico.
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