A Quote by Rebecca West

The aged are terrible - mere heaps of cinders on the grass from which none can tell how tall the flames once were or what company gathered round them. — © Rebecca West
The aged are terrible - mere heaps of cinders on the grass from which none can tell how tall the flames once were or what company gathered round them.
Words! Mere words! How terrible they were! How clear, and vivid, and cruel! One could not escape from them. And yet what a subtle magic there was in them! They seemed to be able to give a plastic form to formless things, and to have a music of their own as sweet as that of viol or of lute. Mere words! Was there anything so real as words?
Words! Mere words! How terrible they were! How clear, and vivid, and cruel! One could not escape from them. And yet what a subtle magic there was in them!
I don't know exactly what a prayer is. I do know how to pay attention, how to fall down into the grass, how to kneel down in the grass, how to be idle and blessed, how to stroll through the fields, which is what I have been doing all day. Tell me, what else should I have done? Doesn't everything die at last, and too soon? Tell me, what is it you plan to do with your one wild and precious life?
Sorrow is my own yard where the new grass flames as it has flamed often before but not with the cold fire that closes round me this year.
It is not a terrible thing to a wretched soul, when it shall lie roaring perpetually in the flames of hell, and the God of mercy himself shall laugh at them; when...God shall mock them instead of relieving them; when none in heaven or earth can help them but God, and he shall rejoice over them in their calamity
Other stories tell how I eat innocent newborns, how I’m ten feet tall, how I breathe fire and have great dragon wings. None of these are wholly accurate. I don’t have dragon wings, I don’t breathe fire, I’m only eight feet tall and I’ve never eaten a newborn that didn’t have it coming. My name is Mevolent. What’s yours?
The sun had gone down behind the tall apartments of the movie stars in the West Fifties, and the unclear voices of children, already gathered like crikets on the grass, rose through the hot twilight.
In New England they once thought blackbirds useless, and mischievous to the corn. They made efforts to destroy them. The consequence was, the blackbirds were diminished; but a kind of worm, which devoured their grass, and which the blackbirds used to feed on, increased prodigiously; then, finding their loss in grass much greater than their saving in corn, they wished again for their blackbirds.
Upon the hearth the fire is red, Beneath the roof there is a bed; But not yet weary are our feet, Still round the corner we may meet A sudden tree or standing stone That none have seen but we alone. Tree and flower and leaf and grass, Let them pass! Let them pass!
They hold their great balls in the open air, in what is called a fairy-ring. For weeks afterward you can see the ring on the grass. It is not there when they begin, but they make it by waltzing round and round. Sometimes you will find mushrooms inside the ring, and these are fairy chairs that the servants have forgotten to clear away. The chairs and the rings are the only tell-tale marks these little people leave behind them, and they would remove even these were they not so fond of dancing that they toe it till the very moment of the opening of the gates.
Each person shines with his or her own light. No two flames are alike. There are big flames and little flames, flames of every color. Some people’s flames are so still they don’t even flicker in the wind, while others have wild flames that fill the air with sparks. Some foolish flames neither burn nor shed light, but others blaze with life so fiercely that you can’t look at them without blinking, and if you approach you shine in the fire.
Aye, aye! and I'll chase him round Good Hope, and round the Horn, and round the Norway Maelstrom, and round perdition's flames before I give him up.
It was a very aged, ghostly place; the church had been built many hundreds of years ago, and had once had a convent or monastery attached; for arches in ruins, remains of oriel windows, and fragments of blackened walls, were yet standing-, while other portions of the old building, which had crumbled away and fallen down, were mingled with the churchyard earth and overgrown with grass, as if they too claimed a burying-place and sought to mix their ashes with the dust of men.
I only have two kinds of dreams: the bad and the terrible. Bad dreams I can cope with. They're just nightmares, and the end eventually. I wake up. The terrible dreams are the good dreams. In my terrible dreams, everything is fine. I am still with the company. I still look like me. None of the last five years ever happened. Sometimes I'm married. Once I even had kids. I even knew their names. Everything's wonderful and normal and fine. And then I wake up, and I'm still me. And I'm still here. And that is truly terrible.
Black with flames, that's how I always envisioned a roadster. That was the classic hot rod. I used to draw pictures of roadsters with flames on them in school.
This hill crossed with broken pines and maples lumpy with the burial mounds of uprooted hemlocks (hurricane of '38) out of their rotting hearts generations rise trying once more to become the forest just beyond them tall enough to be called trees in their youth like aspen a bouquet of young beech is gathered they still wear last summer's leaves the lightest brown almost translucent how their stubbornness has decorated the winter woods.
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