A Quote by Rebel Wilson

I'll often use my real stuff in my writing because it comes across as more authentic. — © Rebel Wilson
I'll often use my real stuff in my writing because it comes across as more authentic.
I've always been drawn to the real stuff and the stuff that feels authentic. And so when I'm writing songs, that's what I try to do.
I find that there's so much funny stuff in real life, and I am much more interested in super grounded, real stuff, so now I just want things to feel real and authentic.
We value 'stuff' quite highly. Why? Because that 'stuff' apparently matters. Not only that, we use it as a measure of how successful we are, and as a result of that, having more of this 'stuff' often determines how people treat us.
I would like the whole world to be full with authentic art, throbbing with it, living with it, because that is the only way: through authentic art, real art, you transcend it. If the music is real, soon you will move into meditation, because the music will only give you a little glimpse of meditation, nothing more.
Failure is authentic, and because it's authentic, it's real and genuine, and because of that, it's a pure state of being.
People buy pads all the time, because they want to write stuff down. We're never going to get away from paper, ever. People like writing; that's why more people are writing more real thank-you notes now - not just to stand out, but because there's something about pen to paper, about holding something cool in your hands.
I personally want to come across as authentic and real. I don't judge anyone.
I feel a particular sense of responsibility when you're taking something from the magazine directly and putting it in video. You can't be too flat. You need to have personality. You can't just scream out to the viewer. You need to have a fresh take on something or have a new look or have an interesting style, or be so raw that it resonates and is authentic. I think authentic is a good word. It's overused, I know, but I think it comes across in the video medium. If you can make a video authentic, it comes across.
It costs a lot to be authentic. And one can't be stingy with these things because you are more authentic the more you resemble what you've dreamed of being.
I use people's real voices because I want realism. So often I mention the actors' physicality because I want it to be like a real documentary.
I don't have a writer's room. I write all the shows myself. Ninety-one episodes a season, I'm sitting there at the computer writing and writing and writing because I want the voice to be authentic so that the audience is hearing from me and not other writers.
In a sense, journalism can be both helpful and detrimental to a writer of fiction because the kind of writing you need to do as a journalist is so different. It has to be clear, unambiguous, concise, and as a writer often you are trying to do things that are more ambiguous. I find that writing fiction is often an antidote to reading and writing too much journalism.
I love my husband very much. I knew it was real true love because I felt like I could be myself around that person. Your true, true innermost authentic self, the stuff you don't let anyone else see, if you can be that way with that person, I think that that's real love.
Creative work is more accurately a machine that digs down and finds stuff, emotional stuff that will someday be raw material that can be used to produce more stuff, stuff like itself - clay to be available for future use.
It's not about the stuff. The issue is how we use that stuff and how do we train people to use that stuff. Do we use that stuff to confront people who are protesting in a community? Do we use a sniper rifle to see closer in a crowd? That's where it breaks down.
There was about a two-year period at the end of the '60s, when I realized I was in the wrong place and entertaining the wrong people with the wrong material and that I was not being true to myself. I went through a metamorphosis into something more authentic for me, a more authentic stage voice and writing voice.
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