A Quote by Rebel Wilson

In Australia, I wrote lots of little plays and put them on, and then I worked on a few different TV shows, like the Australian equivalent of 'SNL.' I would write and perform all of my characters.
I seem to have a soft spot in my heart for Australia and Australian actors. After having worked with one in 'Cinderella' and a multitude of them in 'Cats,' I've wanted the opportunity to actually perform 'down under.'
For the first few years I wrote jokes and performed them word for word and then wrote tags for them and did that word for word and that worked pretty well. Now, I do almost all of my writing on stage and then record and listen for any new things and then I write those down.
In a play, a few actors perform a few characters, and they need to perform those characters with a certain level of believability so that audiences can actually understand and see them as those characters.
I wrote a lot of plays when I was little, and I made everyone in the neighborhood perform them with me. I was probably a really annoying friend to have when I was little.
I had played many gay characters before, but they were finite - guest characters in TV shows or characters in plays.
I would write scripts and little plays and perform them in the living room for my family when I was little with my brother until my mom said, 'Alright, you need to go do it somewhere else other than the house.'
I worked as bricklayer, operating forklifts, building scenes for TV shows. I did everything. When I worked at the TV, I told them I would come back one day to give interviews, and they laughed at me.
When I got to 'Looking,' I didn't know that you could write stuff and they would put it on TV. That was that experience. My boss was Andrew Haigh and he came from film; he had never done TV. It was his first TV show, and he was running it. And I think he was like, 'Write it, and we'll put it on.' It was lovely.
In New York, working at the foundry, I was making these little figures. I desperately would like to make big figures, but I just can't do it; my hands don't do it. We were talking about making bronze plinths, and then we made one, a square one. I wrote on it, then I put a little figure on top, and it just looked really good. It worked.
I wrote a few unsuccessful screenplays before I wrote 'Before the Devil Knows You're Dead.' I wrote them as television plays that never got made. I'm glad I wrote them - I think it was a good experience.
I actually used to make these little plays. I would stand there, and I would act out where I was dying or something. I would make them sit there and watch all my plays. I would be talking in gibberish language, like I was talking in a different language, and my parents would be like, 'Oh that was great!' and I'd be like, 'Wait, it's not done!'
I love playing different characters, and I would love to be playing different characters in movies or TV shows, instead of continuing my career with the WWE.
When British or Australian actors perform American characters, we laud them and talk about how great it is they are able to do this other accent that is not their own. Americans have different relationships with other accents.
What's so cool about movies is once you're done with the movie, you put it away and come up with a whole new different idea with different characters and a different world. But in TV, you build these characters, and you build this world, and then you're there for however long you do the show.
Ever since I was a little kid, whenever my parents would have company over, I would put on shows, whether they would be magic shows, singing shows, dancing shows, little skits.
Even before I was working off-Broadway, there were lots of different TV shows that I would actually say 'no' to, and my agents would be like, 'Are you crazy?' but they stuck with me because they know the kind of things that excite me.
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