A Quote by Red Barber
When I'm talking to a large audience, I imagine that I'm talking to a single person.
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Never use the word 'audience.' The very idea of a public, unless the poet is writing for money, seems wrong to me. Poets don't have an 'audience'. They're talking to a single person all the time.
She [Hillary Clinton] knows the people well. I think there is - you know, also talking about breaking down barriers and talking about that, whether we`re talking about that in economic terms. I mean, she`s the only person who has been out there talking about white privilege and talking about sort of the intersectionality of some of these issues.
You watch Bono in a room - and we're talking about a room of thousands swarming around him - he'll take every single person and make that moment about them. You can pat him on the back or pull his arm, he's not looking away from the person he's talking to.
Keep in mind, when two enemies are talking, they're not fighting, they're talking. They might be yelling and screaming, but at least they're talking. It's when the talking ceases that the ground becomes fertile for violence.
When [actors] are talking, they are servants of the dramatist. It is what they can show the audience when they are not talking that reveals the fine actor.
When actors are talking, they are servants of the dramatist. It is what they can show the audience when they are not talking that reveals the fine actor.
I think there's a lot of power in listening to one person talking to you. And this should never be underestimated.One person sitting and talking to you and, you're pulled in, in ways that technology and art and all cannot.
It's a very, very interesting experience to be talking to people who are such icons in their own right. When Adele came to a show, I was just talking to her, and at the time, I thought, 'I'm just having a chat with somebody.' But then I heard myself say, 'Oh, I was talking to Adele the other day,' and it's as strange as you'd imagine.
I think one of the highest compliments you can give a person is that when you are talking to him, you are not thinking about the fact that you are talking to him. That is, your thoughts and words all exist on a single, engaged level. You are being yourself because you aren't bothering to think about who you should be. It is like when you talk in a dream.
When somebody is talking to you about something terrible on set with lines, and you believe what he says, sometimes it gives a strange vibe, because you wonder when that person is talking if he's talking about something that really happened to him and he's using the character.
I feel very fortunate to have known James Salter, not very well, but I knew him over the years. Always, people would be talking, talking, talking, and after digging themselves into a deep enough hole, they would turn to Jim and wait for him to utter the single clarifying sentence.
The thing I always guard against when I'm talking to people I'm working with about a script is that there's a thing I don't like and it's called "talk story." It's when you're talking about the story; the characters are tasked with talking about the story instead of allowing the audience to experience the story.
When you're at the basketball court watching a game, one person may be talking about a fight he had with his wife, another is talking about the last hard-on he got, someone else is talking about the presidential election. The language and the tone and the voice - I'd love to be able to capture that spontaneity.
We're talking about a prison-industrial complex. We're talking about a war on drugs that's generating unprecedented levels of incarcerated folk. We're talking about dilapidated housing. We're talking about joblessness and underemployment.
Talking to a drunk person was like talking to an extremely happy, severely brain-damaged three-year-old.
Sometimes you're talking to a tennis ball on a stick, and you have to imagine what is supposed to be there and trust that the editors and the animators are going to make it all convincing to the audience. You have to pull a lot from within.
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