A Quote by Red Buttons

Ray Charles, who said to Stevie Wonder, Maybe we're white. Never got a dinner! — © Red Buttons
Ray Charles, who said to Stevie Wonder, Maybe we're white. Never got a dinner!
I'd say that Ray Charles is definitely the biggest influence on my singing. Also Marvin Gaye and Stevie Wonder.
I show more blind rage than Stevie Wonder and Ray Charles wrestling in a steel cage.
The first artist I really loved was Stevie Wonder. That opened the doors to other soul singers like Ray Charles and Aretha Franklin.
I grew up listening to the greats of the '80s and, thanks to my parents, the '70s - the Doobie Brothers, Stevie Wonder, Ray Charles, Luther Vandross, Lionel Richie.
You knew the difference between Barbra Streisand and Aretha Franklin, Stevie Wonder and Ray Charles, straight away. Now everyone sounds like each other, and I don't think that's right.
I got thrown out of music school for even listening to Fats Domino and Ray Charles. I was asked, 'What kind of music do you like to listen to?' and I said, 'Well, I do like Paul Hindemith and Igor Stravinsky but I also like Fats Domino and Ray Charles,' and they literally said, 'Either forget about that or leave.'
Some golfers fantasize about playing in a foursome with Arnold Palmer, Jack Nicklaus, and Sam Snead. The way I hit I'd rather play in a foursome with Helen Keller, Ray Charles, and Stevie Wonder.
I think you have a lot of really good artists today. You have your Beyonce, Usher, Nicki Minaj and the like. But our generation, the artists were stronger. You're talking about myself, Ray Charles, Stevie Wonder, Roberta Flack, Gladys Knight, The Temptations, The Four Tops.
Raphael Saadiq said to me, quite often, that Chuck D was his history teacher. And so he got a lot from the music, things that he wasn't getting maybe in school. And I feel the same way with regards to Earth, Wind & Fire, Stevie Wonder.
I always loved LeAnn Rimes and especially Clint Black for his soulfulness. As I've gotten older, my influences have broadened - John Mayer, Michael Buble, Stevie Wonder, Keith Urban, Stevie Ray Vaughn, the Beatles - all of these artists have somehow been a part of my development as a songwriter.
Stevie Wonder doing [carpool karaoke] it was a massive turning point because he's Stevie Wonder. Like, there's no one else in the world who can go, I don't really want to do it. And you go oh, so it's good enough for Stevie Wonder but it's not good enough for you?
Ray Charles, in his own way, it's like at the beginning, Ray Charles changed American music, not once but twice.
Give it up for Ray Charles and his beautiful legacy. And thank you, Ray Charles, for living.
I've said that playing the blues is like having to be black twice. Stevie Ray Vaughan missed on both counts, but I never noticed.
How would you define [Bob] Dylan? You can't. That's a true artist. How about Ray Charles? Can you classify Ray Charles? No, you can't. He's just great, period.
Stevie Wonder is just one of those guys that completely delivers everything that you want to be true about Stevie Wonder. He's an amazing human being, and the fairytale exists with that man.
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