A Quote by Red Buttons

If I lose show business - I'll really be an orphan! — © Red Buttons
If I lose show business - I'll really be an orphan!
When you lose a spouse, you're a widow or widower; when you lose your parents, you're an orphan. When you lose a child, there's no word in the English language for that position, that place that you're left.
I was always in show business but in many ways was not really of show business. I didn't move in show business circles, particularly, still don't do it.
There is no business like show business, Irving Berlin once proclaimed, and thirty years ago he may have been right, but not anymore. Nowadays almost every business is like show business, including politics, which has become more like show business than show business is.
That's what Letterman did. He mocked everything and everyone in show business, even though he was at the top of show business. He was in it but not really of it, and that's one thing I came to love about him. I mean, you can't sit there and interview Cher and pretend you're not in show business, but he managed to pull it off somehow.
There are no words to describe the pain of burying a child, and specifically there is no word to label their new, lifelong status. If you lose a spouse, you are a widow; if you lose a parent, you are an orphan. But what about when you lose a child? How do you name something you cannot comprehend?
I’ve discovered a new affliction; it’s called Orphan Black Eyes. When people ask me what I’m working on and I tell them Orphan Black…they usually clutch a part of my body and their eyes go wide and a little crazy. People are MAD for this show. As am I.
You show me a boy who brings a snake home to his mother and I'll show you an orphan.
I recall an 18-year-old girl named Rachel in Zambia who was given a grant to start a business of her choosing. She decided to breed goats so she could sell the meat and the milk, and donate the kids to orphan children. She herself was an orphan, stepping into young adulthood with no resources, and it was her first opportunity to earn her own money.
I'm an orphan!" Constance cried gleefully. "I'm an orphan!" ~ The Prisoner's Dilemma
In Orphan Train, Christina Baker Kline seamlessly knits together the past and present of two women, one young and one old. Kline reminds us that we never really lose anyone or anything or – perhaps most importantly – ourselves.
I didn't plan on going into show business. Show business picked me. And it's been fun. One of the best things about being in show business is people think they know me, and they feel like they grew up with me.
I don't think any of us would be who we are if our parents weren't who they were. People that are in show business, and their parents are not in show business, their parents probably motivated them to get in show business.
For years, people have been trying to talk to me about doing a show, and I wouldn't do one because I'm a serious business guy. I'm not going to do a stupid show. So, the opportunity came up with CNBC, and we started talking. It became a real business show. It's educational, people watch it, and it's great for small business.
I really saw Pat Brady, Kelsey Grammer's character's point of view that it's a business. It's show business. So, it was an incredible opportunity to work with really wonderful creatives and the script was fantastic. What was so interesting to me about the studio system was that a lot of the politics that were in play then are so really relevant to today.
The reality of show business - and I suppose a lot of businesses, but specifically show business - is that it is this business of 'no's.' It's mostly 'no's.'
You can't avoid orphan stories, child. Every story is an orphan story. We are all orphaned sooner or later.
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