A Quote by Red McCombs

I may not have the gun that Jesse James had when he was gunned down, but if there's a piece identified with him and the same place, then I get interested; it's always excited me.
Jesse [James] was known as a kind of Robin Hood character and also it was known that his exploits were somewhat dubious - however, he perpetuated this myth. Our film [The Assassination of Jesse James] really takes place at the end of all that, the last year of his life, at the end of all that celebrity.
Just because you shot Jesse James, don't make you Jesse James.
Jesse has opened for me extensively on the road so I’ve seen him do hundreds of sets. He is always super funny, has tons of material and the crowds love him. Bottom line, Jesse Joyce is a great comedian.
I had always had the same pre-match routine that I went through every day - get up, go down for a swim and a stretch, back to the room for a shower, then down for brekkie - the same routine every game, and it got me ready.
To tell a woman not to talk too much was like telling Jesse James not to carry a gun, or a hen not to cackle.
We wept, Brooklyn was a lovely place to hit. If you got a ball in the air, you had a chance to get it out. When they tore down Ebbets Field, they tore down a little piece of me.
I lost my dad two years ago to cancer, and before he died, I asked him to write 'Daddy's Little Girl' on a piece of paper for me. I told him it was for an album. He practiced and practiced and then sent it to me, and I had it tattooed onto my wrist and surprised him with it. He cried when he saw it, happy tears. This way I always carry him with me.
I had always been more interested in playing and improvising than sitting down at a desk and writing out a piece. I'd always found it more fun to play, and the other a little bit tedious. I always had trouble with the decisions.
Mike is the craziest person. He's scattered; he's all over the place. When you hold him down and tell him, 'This is what you're doing,' he's fantastic. But you have to hold him down. Like, when he had to write his verse for 'Hello Nasty,' we had to take his phone away to get him to do it.
I always prefer the character moments. For me, personally, whether I'm shooting the gun or not shooting the gun, I really don't care. I'm the guy who's like, "Whatever you want me to do." But, I really get excited about the character moments that are steeped in emotion when the stakes are high.
It took a week for me to be able to take the gun apart, put the gun back together, get the ammunition and load, all the while keeping my eyes down the scope, which was something I'd never had to do before.
One cannot deny that if a person has the energy to get you interested and excited, then that is half the battle won, like all the great leaders had this quality.
But most of us who aren't models aren't models, right? And so, you just have to get used to that and sort of read right past it. So. On the sex symbol piece, I don't get that piece. On the personality piece, that people are excited to meet a leader from Mozilla - maybe there's more about meeting me personally than I give credit for, but I find that people are excited about what Mozilla is, more than 'Oh my god, there's Mitchell, look, her hair,' whatever.
"Gun-wielding recluse gunned down by local police" isn't the epitaph I want. I am hoping for "Witnesses reported the sound up to two hundred kilometers away" or "Last body part finally located".
Jesse Helms has historically been identified as an enemy of Mexico; therefore, by definition, anyone who opposes him is a friend of Mexico.
Even if you find him. Even if he didn't leave you on purpose, he can't possibly live up to the person you've built him into." It's not like the thought hasn't occurred to me. I get that the chances of finding him are small, but the chances of finding him as I remember him are even smaller. But I just keep going back to what my dad always says, about how when you lose something, you have to visualize the last place you had it. And I found?and then lost?so many things in Paris.
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