A Quote by Red Smith

Writing is very much like bricklaying. You learn to put one brick on top of another and spread the mortar so thick. — © Red Smith
Writing is very much like bricklaying. You learn to put one brick on top of another and spread the mortar so thick.
When I started working in 2010 on Pinterest, I really thought of myself as like a construction worker, metaphorically, building like you build a shed. You put the brick on top of a brick, and then you're done.
Writing is like bricklaying; you put down one word after another. Sometimes the wall goes up straight and true and sometimes it doesn't and you have to push it down and start again, but you don't stop; it's your trade.
In writing lyrics - well, for me, anyway - it's about getting into character, you know? 'Who is writing this?' In the case of the original 'Thick As A Brick,' supposedly a precocious, very young child who's fantasizing about his future and the context of all the confusing elements to which school boys are subjected at that time.
Leave not a foot of verse, a foot of stone, A Page, a Grave, that they can call their own; But spread, my sons, your glory thin or thick, On passive paper, or on solid brick.
Mobile is going to change e-commerce as much as e-commerce has changed brick and mortar retailers.
That brick that you're standing on, that foundation that you're standing on, there's a brick in there that was placed by someone you never knew, sort of a faceless possibility, but you're there now. You have an opportunity to put your own brick in there. That's what it feels like we're doing with 'Hamilton'
Writing a novel is like building a wall brick by brick; only amateurs believe in inspiration.
In a word, learning is decontextualized. We break ideas down into tiny pieces that bear no relation to the whole. We give students a brick of information, followed by another brick, followed by another brick, until they are graduated, at which point we assume they have a house. What they have is a pile of bricks, and they don't have it for long.
I always say, my set is like building a brick wall that all the jokes are the bricks but the improv is the mortar. You piece it all together and have a certain flow to it.
If you look at the top 20 companies of the world, 19 of them are still brick-and-mortar companies. I have nothing against tech companies. What I am saying is that if you have a car manufacturer or an oil and gas manufacturer, you won't get the supply over the Net.
The brick of my life is music, but the mortar is faith.
You say to a brick, 'What do you want, brick?' And brick says to you, 'I like an arch.' And you say to brick, 'Look, I want one, too, but arches are expensive and I can use a concrete lintel.' And then you say: 'What do you think of that, brick?' Brick says: 'I like an arch.'
Anyway, so what he did was, he spread sheets for 100 yards and underneath them he'd put things so there were bumps and different levels and on top he'd put little bushes and if you didn't look to close, it looked like snow!
Brick-and-mortar at the end of the day matters because viral is great, but it comes and goes as fast.
Artists will always depend on the brick-and-mortar ecosystem to establish authority and context.
I'd say, don't listen to what anyone says: you're good. Go put your anorak on. Get your thick bottle-top specs. Draw your little cartoons and your comics and keep writing to the BBC.
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