A Quote by Redfoo

I didn't grow up with my dad, or around the whole legacy. I was post-Motown, so I'd always hear stories and wonder what was it like. — © Redfoo
I didn't grow up with my dad, or around the whole legacy. I was post-Motown, so I'd always hear stories and wonder what was it like.
When I was growing up, my dad would always be playing Motown around the house. He loved Stevie Wonder and the Supremes and got me into Dionne Warwick. It was the best music I'd ever heard. It was just that extremely deep, human, thought-out stream of ideas. You can always hear something new when you listen to that music.
I met Peter O'Toole for the first time at Dad's memorial service because my Dad didn't hang around with people like that when we were around. We didn't grow up with Richard Burton coming around to tea.
I didn't have a dad around to pick me up when I fell, throw the ball to me outside. I always wonder how it would be if I did have a dad there.
My parents brought me up on all different styles of music, like my Mum would listen to Motown R&B and my Dad was quite 80's driven, so I was always surrounded by music growing up.
You don't hear many stories about people who grow up, have normal lives, pay taxes and pay bills, have mortgages and have kids. You hear stories about Billy the Kid for a reason.
My favorite thing about coaching? Teaching. Being around young people, just watching a player grow and develop. You know, a young man comes in with dreams and goals and ambitions and just helping him reach (them). It's like your dad watching you grow up and like me watching my boys grow.
I think as you grow up and you see things which are around you and you ask questions and you hear the answers, your situation becomes more and more of a puzzle. Now, why is it like this, why are things like this and since writing is one way in which one can ask this questions and try to find these answers, it seems to me a very natural thing to do, especially as it meant stories which I always found moving, almost unbearably necessary.
I grew up in the '80s where there's a lot of these kind of post-apocalyptic, post-comet, post-whatever it was, so that always captured my imagination a lot as a little kid, that idea of getting access to secret places and being able to roam around where you're not supposed to.
You grow a whole lot more as a writer by getting old stories out of the house and letting new ones come in and live with you until they grow up and are ready to go. Don't let the old ones stay there and grow fat and cranky and eat all the food out of the refrigerator. You have dozens of generations of stories inside you, but the only way to make room for the new ones is to write the old ones and mail them off.
I grew up not far from where Motown was founded, maybe 300 miles from Detroit and I've always liked - I used to like the way they made records. I still do, I just haven't had a chance to hear as much. They used to entertain me.
I grew up with my mom always talking to everyone everywhere, whether it was professionally or in a coffee shop. And my dad was the same way. So I love being able to talk to people, hear their stories and be inspired.
There's way too much wonder and mystery all around us to not stay open to more that's going on here. You can wake up, and sense and feel and taste and hear a whole world right here within this one, right here in this breath you're about to take.
I get this anxiety in cities and places like that. When you grow up in kind of a small town and when you grow up around a lot of green and trees and nature and that sort of thing, sometimes I think it's a little mentally disconcerting to be around this concrete.
I don't really know any other musicians like me. I grew up backstage with my dad who played in a post-war dance band, so I always feel at home at a venue.
One Dad I know uses what I call Post-It® Note therapy on his children. He leaves sticky Post-It Notes everywhere ...in their lunch box, inside their shoes, on top of their sandwich before he wraps it up. He once went into his daughter's room, looking for his hammer, and on the back of her bedroom door were every Post-It Note he'd ever given her - over 250 in all with simple messages like 'Great job'...'I love you'...or 'You're special to me.' Do you think that girl knew, without a doubt, that her Dad valued her and loved her?
What if The Odyssey has no more validity or authenticity than one of the other stories that you hear Odysseus telling? Whoever created The Odyssey was incredibly hip to stuff that we think, in our post-modernist, post-structuralist era, we're uncovering for the first time; but we aren't.
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