A Quote by Redman

I'm like an eclipse on a Friday the 13th, With black cats and Haley's Comet, Blazin' blunts in my driveway. — © Redman
I'm like an eclipse on a Friday the 13th, With black cats and Haley's Comet, Blazin' blunts in my driveway.
[Alex] Haley's objective was quite different. Haley was a republican. He was an integrationist. He was very opposed to black nationalism.
Friday the 13th...I'mma play Jason!
I would make the tea on a Daniel Day-Lewis set just to observe how he crafts roles like he did in 'My Left Foot.' That was the equivalent of seeing Haley's Comet for me. I just couldn't understand how that was possible.
How can you have 'Scream' without Ghostface? It's like 'Friday the 13th' without Jason.
I was in the first 'Friday The 13th,' and that was a microbudget horror film.
The 'Friday the 13th' Jason movies were way too scary for me.
Over a period of about year-and-a-half, Malcolm X and [Alex] Haley agreed to work with each other. They met usually after a long business day that Malcolm put in very tired. He would get there at about - either at Haley's apartment or they would meet at then Idyllwild Airport at a hotel, and Malcolm would be debriefed by Haley. He would talk, Haley would take notes.
Clearly, the works of John Carpenter and Sam Raimi are front and center here. Argento is definitely there. But even stuff like the 'Friday the 13th' movies had quite an influence on me growing up.
Pakistan now is like a horror film franchise. You know, it's 'Friday the 13th, Episode 63: The Terrorist from Pakistan.' And each time we hear of Pakistan it's in that context.
My older sister showed me 'Hellraiser' when I was, like, 4, and 'Friday the 13th.' She kind of scarred me, but I like watching scary movies with people because you're together in this scary situation. It makes all that more fun.
Black cats. They kill me every time. I can just feel it when I see one. The only thing that gets me is black cats.
I maybe need a break, because I feel like I've done every iteration of it, and that's what's been great, you know - 'Mr. Brooks' is so different from 'Friday the 13th,' which is so different from 'The Crazies,' which is different from 'Piranha.' So, I feel like I've kind of covered it across the board.
I used a Luma crane, a wounderful device; it makes the camera able to go anywhere. It was also used on Friday the 13th Part 3.
I used to love those movies, back in the day, like 'A Nightmare on Elm Street,' 'Friday the 13th,' 'Rosemary's Baby' and 'The Shining.' I really liked those kind of movies, and I wanted to be a part of one of those kinds of movies.
Back when we was in school in Mississippi, we had Little Black Sambo. That's what you learned: Anytime something was not good, or anytime something was bad in some kinda way, it had to be called black. Like, you had Black Monday, Black Friday, black sheep... Of course, everything else, all the good stuff, is white. White Christmas and such.
I'm a big fan of horror films, particularly 'Friday the 13th.' It's one of the only genres that weaves abstract experimental techniques into the mainstream; having to be spooky requires a little more creativity.
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