A Quote by Redman

I was always self-sufficient even when I was with Def Jam. — © Redman
I was always self-sufficient even when I was with Def Jam.
Def Jam commented on one of my Instagram photos once, and all my friends me hit me up, like 'Yoooooo, you signed to Def Jam?'
I used to be a Def Jam artist. I was - I survived Def Jam.
When Def Jam wanted to sign Method Man, they wanted to sign Method Man and Old Dirty. And Old Dirty wanted to be on Def Jam - everybody, that was like the dream label. But if I had Old Dirty and Method Man on Def Jam, that's two key pieces going in the same direction, whereas there's other labels that needed to be infiltrated.
Def Jam and Roc-A-Fella were two equal entities under the Def Island umbrellas.
Def Jam was always trying to get me to put out an album because I had 'Toot It and Boot It.'
Even at it's worst, 'Def Jam' was extremely interesting and extremely well performed. And the crowds were amazing.
Def Jam is an iconic label.
The dimensions of video game characters, even when they're scanned from real people, are beefed up with exaggerated proportions in games like Def Jam: Fight for NY to give them more pop.
I never had to ask Def Jam for anything.
Def Jam is the reason why I started a label.
Would I have signed to Def Jam if I knew they was deaf? Nah.
When people see that we're signed to Def Jam, the perception has changed.
People don't get signed by Def Jam every day on my block.
There's probably a bunch of Power Stripe floating through the Def Jam offices right now.
I've always been an outsider. When I did magic, I was the only kid. When I worked with Johnny Cash, I was completely out of place in Nashville. And when I started Def Jam, I was the only white guy in the hip-hop world.
Leaving Def Jam was kind of a blessing in disguise because we can make whatever record we want.
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