A Quote by Redman
When I appeared in EPMD's 'Hardcore' song and video that was just crazy. Def Jam had these little virals back then on VHS tape. Q-Tip was another very important person to my career. He had me in A Tribe Called Quest's 'Scenario' video when I was first coming out.
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For me, the first thing I fell madly in love with when I was little, was, Gilda Radner had this live performance that she had done at the Met that was on tape, and I could rent it from Video Video in New Jersey where I lived, and so I literally would rent it every two weeks.
The music video, Lil Nas X, he asked me to be in the 'Panini' music video. It was crazy. I was just listening to the song and I was like, okay, this is going to be my first music video but it was really fun.
When I saw the first video iPod, I thought this could have the same impact VHS/home video had on the movie business.
Had 'Kaanta Laga' been a song sans video or if the video just had youngsters dancing in a discotheque, the audiences wouldn't have been interested in watching it. But it had a very unique theme.
I was in a karaoke video in 1991, for a song called 'Sukiyaki,' which is a very famous Japanese song, and I've actually heard from people that they've been in bars in Asia where they've seen me come up in the 'Sukiyaki' video that they play behind you. I'm in that. I'm in a karaoke video.
I had heard about Vine through Twitter, and my first video was of me freaking out on my couch. Back then I had 5 followers.
Producing just one video is a long process. First, you decide your song, then you have to figure out the arrangement of the song; will you play it on the guitar? Will you make it a music video? Once you figure that out, you record it and then edit it, which can take two to five days to finish.
The first video I shot for "A Zip and a Double Cup"â€"I have two versions, a remix video and a the originalâ€"because I wasn’t really trying to do anything. I just came home and got kind of high and shot a video in the parking lot. I just shot the video how I wanted to do it and posted it online and the next day it went crazy.
I heard Q-Tip on the Jungle Brothers' song 'The Promo.' It was very exciting. It was very new. The music and the culture around hip-hop was evolving. I think there's an emotional quality to their music and there's a vulnerability to the music. For me, A Tribe Called Quest was my Beatles.
Like any family, like any group - the Beatles, Led Zeppelin, EPMD, Public Enemy - they've had bumps in the road. I just think that because A Tribe Called Quest is so precious to fans, they were concerned about unveiling some of those things.
To be able to do a song with Kanye West and then a video with Hype Williams who directed the video, that's a highlight of any artist's' career.
I famously stole tons of VHS tapes from a video store I worked in. It was detailed in my special, Laboring Under Delusions. I worked at Tower Video and stole a bunch of videotapes from them, and then got caught and had to return the videotapes. It was a mortifying experience.
I appeared in Pankaj Udhas' 'Ahista' video purely on instinct. I had turned down everything that had come my way till then. After I heard the storyline and the fact that were shooting in Sydney, I agreed. When the song went on air, I was still in Sydney.
I didn't have song rights for the first video because I didn't know that it was going to do what it did. So for the second video, I decided better safe than sorry. It is a really gray area as to whether or not you even need song rights to make a video like that.
A few years ago I appeared on GLEE and, Jane Lynch and I did a remake of the song that was very popular - someone told me it was in the Top 100 when it was released. First, walking on the set of GLEE the day we filmed it was surreal as they had recreated the entire original set from the music video. It was bizarre - but fun.
I've always had a preference for digital, all the way. I grew up through video and camcorders, and I was part of the VHS generation. I made all my stuff in high school on video, and worked for public access. Staying in digital is a very familiar, very natural progression of the things that I've worked in before, and I always try to break as much new ground as I can.
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