A Quote by Redman

I'm my own label. — © Redman
I'm my own label.

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I've put projects out on my own label twice now and been very successful which shows you don't need a major label to back you in this day and age.
A Name Is A Label, And As Soon As There Is A Label, The Ideas Disappear And Out Comes Label-Worship And Label-Bashing, And Instead Of Living By A Theme Of Ideas, People Begin Dying For Labels... And The Last Thing The World Needs Is Another Religion.
I feel like it's important for me to expand, to create my own label. With a label, I can just give someone the opportunity that I was given, you know? That's what it's all about, just helping.
I think anyone who's willing to be brutally honest with who they are and express themselves is always going to get the oddball label, the pyscho label, the twisted label. That's what happens.
For 10 years, I was my own label, my own promoter, my own PR. We borrowed money to print our CDs.
I had the most frustrating thing happen when I was trying to find a label. I sent my album to this indie label, and they were like, 'We already have two girls on the label. I'm so sorry, we just can't take your project.'
The head of a record label sets up structures, but he also defines the sound of the label, which is to describe what is desirable, what fits and what is quality for that label and then to create an environment where that sound can thrive.
I could never release something on the label I didn't personally love. The label's really an extension of my own musical career, and I'm intensely involved with every aspect personally, so it'd be a betrayal to myself if I released something simply because I thought it would make money.
I'm not only a DJ. I run my own record label and I work out of my own productions.
I'm running my own business, my own record label, so I'm always dealing with heavy amounts of stress.
At 13 years old, I realized I could start my own band. I could write my own song, I could record my own record. I could start my own label. I could release my own record. I could book my own shows. I could write and publish my own fanzine. I could silk-screen my own T-shirt. I could do this all myself.
If the label presents them with a contract that the band don't want to sign, all the label has to do is wait. There are a hundred other bands willing to sign the exact same contract, so the label is in a position of strength.
If the label presents them with a contract that the band don't want to sign, all the label has to do is wait. There are a hundred other bands willing to sign the exact same contract, so the label is in a position of strength
What I learned from the Beastie Boys was to be independent. They set up their own world separate from the label. They built their own studio.
They told me that they are starting a classic label, and wanted me to be the first artist. So I signed, and am producing myself, and writing my own music, but I'm their first artist on their classic label. And I have creative control.
I wanted to go back to writing for myself and my fans. I built my own recording studio, started my own label, and decided to use the Internet to sell my records.
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