A Quote by Ree Drummond

I'm working on a second cookbook and am working on my love story, 'Black Heels to Tractor Wheels.' — © Ree Drummond
I'm working on a second cookbook and am working on my love story, 'Black Heels to Tractor Wheels.'
I'm working on a second cookbook and am working on my love story, 'Black Heels to Tractor Wheels.
I buy a tractor two years ago, and four-fifths of the tractor manual is about not tipping over, not raising the bucket high enough to hit high-tension wire... not killing yourself, basically. And in that manual, I found out - and it cost me a thousand dollars - that when the tractor is new, 10 hours into use of the tractor, you have to re-torque the lug nuts. If you don't, you will oval the holes. This is buried between the moron warnings. I never found it. I take the tractor in for its regular servicing, and they say my wheels are gone. How am I supposed to know that? "It's in the manual."
When I'm not working I just like to be comfortable: I love black, nothing tight, no heels, no make-up - it's nice to be able to breathe!
When I'm not working, I just like to be comfortable: I love black, nothing tight, no heels, no make-up - it's nice to be able to breathe!
I am now working on the second WWI story and find the challenge marvelous.
I just love working with actors, and I love working with writers, working with designers. I feel that I am just a storyteller, and whether I am wearing the director hat or the playwright hat, it doesn't matter. And the rooms I tend to be in are pretty democratic, and the best idea wins.
I am basically working 7 days a week. When I am not eating, sleeping, or working out, I am working on one of projects which I am just damned determined to finish.
I suppose I don't have to work, but I do love working. I class myself as a working-class girl, and I've never stopped working. When I'm offered shows here, there and the other, I do an awful lot because I feel other people would love to be offered what I'm offered; who am I to say no? I'm definitely working class, and I always will be.
'Working Class Man' is my second memoir and is a continuation of my story from where 'Working Class Boy' left off. The book is really an attempt at explaining the impact of my childhood on myself and the ones I loved as an adult.
When I grew up, my house contained only two books: the Bible and the 'Edmonds' cookbook. We were a working-class household. Books were a poor second to the television, which was always on, usually with me in front of it.
I met journalists that were on both sides of things. People who are young, enthusiastic and hard working journalists working on the online side and people who had been there forever. There was one journalist who had running shoes under her desk in case she had to kick of her heels and go out and cover a breaking news story.
This is my work ethic: I do not want to raise my future kids where I was raised, and I know the only way to do it is working, working, working, working, working.
I love working with the same people. When I find someone I love and that I like working with, I don't want to stop working with them.
Don't buy society’s definition of success. Because it’s not working for anyone. It’s not working for women, it's not working for men, it's not working for polar bears, it's not working for the cicadas that are apparently about to emerge and swarm us. It’s only truly working for those who make pharmaceuticals for stress, sleeplessness and high blood pressure.
I have my 'Whole New You' cookbook I'm currently working on.
I love working with Prada, I would do it all the time if I could. Working with them is like working on a film: it is very collaborative.
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