A Quote by Ree Drummond

For a while, I Photoshopped too much. When you first learn what you can do, you really go overboard sometimes. — © Ree Drummond
For a while, I Photoshopped too much. When you first learn what you can do, you really go overboard sometimes.
Sometimes when you write something, you have that day when you start writing and you feel really good, and you start changing it. At the end, it lost the essence. It lost the first idea, the energy that it had, it's going down after every change. And at the end it's something soft and too much rewritten or too much rebuilt that doesn't have the same energy as the beginning. So, I like the first takes because of that, you know. It has that first energy that sometimes it's difficult to recreate.
People accuse me of going overboard preparing for my first ten million years in eternity; in my opinion, people go overboard in worrying about their last ten on earth.
But, as potentially the first African American first lady, I was also the focus of another set of questions and speculations; conversations sometimes rooted in the fears and misperceptions of others. Was I too loud, or too angry, or too emasculating? Or was I too soft, too much of a mom, not enough of a career woman?
There's a price you pay for drinking too much, for eating too much sugar, smoking too much marijuana, using too much cocaine, or even drinking too much water. All those things can mess you up, especially, drinking too much L.A. water ... or Love Canal for that matter. But, if people had a better idea of what moderation is really all about, then some of these problems would ... If you use too much of something, your body's just gonna go the "Huh? ... Duh!"
Sometimes when a record's done, I'm satisfied and I won't listen back to it for a while 'cause I'm usually pretty tired of the songs. Then I've got to learn them again to play them live, and sometimes it takes a while to realise it's a really good record.
Sometimes my natural instincts take over and I just go overboard.
I have much to learn from my daughter Sofia. Her minimalism exposes my limitations: I'm too instinctive and operatic, I put too much heart into my work, I get lost sometimes in bizarre things - it's my Italian heritage.
I love theatre, and you learn too much as an actor and enjoy too much of it not to want to go back a lot.
I must learn to love the fool in me - the one who feels too much, talks too much, takes too many chances, wins sometimes and loses often, lacks self-control, loves and hates, hurts and gets hurt, promises and breaks promises, laughs and cries.
I must learn to love the fool in me the one who feels too much, talks too much, takes too many chances, wins sometimes and loses often, lacks self-control, loves and hates, hurts and gets hurt, promises and breaks promises, laughs and cries.
My first big mistake was made when, in a moment of weakness, I consented to learn the game; for a man who can frankly say "I do not play bridge" is allowed to go over in the corner and run the pianola by himself, while the poor neophyte, no matter how much he may protest that he isn't "at all a good player, in fact I'm perfectly rotten," is never believed, but dragged into a game where it is discovered, too late, that he spoke the truth.
Infrastructure alone won't end poverty. The World Bank had to learn this lesson, too. While we believed too much in bricks and mortar in our early days, we now understand that bringing together funding, technical expertise, and tested knowledge goes much further.
Don't go overboard with too many accessories and too many different things.
I think making shorts is really about giving yourself the opportunity to learn what your strengths and weaknesses are. That's really important to know before getting to your first feature. In many ways you can't afford to make too many mistakes while on that feature.
Sometimes I can listen to music - sometimes there's no choice, especially if I'm out writing at a coffee place. But sometimes it's too distracting. If I'm listening to something I really love - I have to stop and give everything over to it. I'm listening to its structures, its melodic lines, the bass. It takes up too much of my head - in a good way.
I've seen people that get onstage and sing while they have tears running down their face - I can't do that. When I cry, it starts like in my throat, so when I have something that's really emotional, sometimes if I access that too much, I can't finish the song.
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