A Quote by Reece Thompson
A friend and I started a band together. I am kind of learning how to play instruments. We write stuff over Skype or e-mail. I send one part and he writes another.
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When my YouTube videos started to get really big, I was like, 'Man, this is pretty sweet.' It started as my hobby, and then I started traveling and learning how to play different instruments, and then it just kind of became my life.
I had my daughter by C-section, so knew when and where she was going to be born. I got freakishly organized and prepared a group e-mail birth announcement. Unfortunately, I accidentally pressed Send All. I then had to send another e-mail saying, "I'm really sorry but I haven't actually had the baby yet." Then, when I actually did have the baby, I felt too embarrassed to send another e-mail saying, "I've definitely had the baby now."
I've learned the idea of pausing when agitated or doubtful. I can still write the e-mail but instead of sending that e-mail to the person I'm in a fight with, more often than not these days, I just delete it. Or I run it by someone else that I trust before I send it. And then I usually laugh at the e-mail and how funny it is.
I never started learning instruments with the hope of having a career in it. It was more kind of I quite enjoy messing around and writing or playing with the family and stuff like that.
I actually started singing country music at 4 years old, right when I started learning how to sing. I would cover a lot of Martina McBride, LeAnn Rimes, Trisha Yearwood, that kind of stuff, and it just feels very authentic to me. It's always been there through the years. Even when I was in my band, I still listened to country.
I think that kind of balance comes with the process of growing together as a band, the Little Dragon. We love to write, we love to create, we love to play live, and I think we love and appreciate what we have together. How that evolves, and how we balance it, is something that's come with time. At the start we were all like, "Tour tour tour. We just want to play. That's all we want to do."
Things always work out if you don't send that e-mail. That's another great life lesson: I've sent enough e-mails of just "f - k you, f - k you, f - k you" and hit send. I've learned a lot from never being able to take back that I sent that e-mail.
My friend and I were in a band together and we used to always refer it it as 'floor-core,' meaning that we would sit on the floor and play stuff.
Static-X has never been a band where the four guys get into a room together and jam and write songs and all that kind of stuff.
I got a new 4-track cassette recorder a year or so after high school. For a while I would just stare at it thinking, how am I going to do this if I don't play guitar or keyboards? How am I going to write and record a song if I don't know how to play any instruments? I mean, I played the violin, but I didn't know anything about how to work a 4-track.
There is no way that I could pinpoint just one person. When I first started, I was listening to Randy Rogers quite a bit, and I was also pretty big into Josh Grider back then. I remember going to a lot of Kevin Fowler shows early, and Eli Young Band was another one of the groups I listened to a lot of when I was learning to write and play guitar.
So I have a friend who works for me once a week. She's got e-mail, so anybody that must send an e-mail, they send it to her and she faxes it to me. Sounds like a long way of doing things, but it works for me.
I play a bunch of instruments, like piano, drums, guitar and bass. And the kazoo every now and then. I'm trying to learn how to play the trumpet and the saxophone. That's what I'm learning how to play.
E-mail also changed things in that you don't have to write a full document to discuss something. You can just send an e-mail to a list.
It's good for people to be able to see an archive of an artist learning how to write and getting better, especially for teenagers who are starting to write: to see that I started out making pretty easy and weird and bad-sounding music and that you can teach yourself how to write over a long period of time.
I think the most note-worthy part is that Stella [Mozgawa] had joined the band two weeks before we started recording, so that really influenced the way that the album was recorded. It was really important for Stella and Jen[ny Lee Lindberg] to lay down the drums and bass first for most songs, because they were determining how they needed to lock in together, and Stella was still kind of learning and figuring out her parts.
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