There's always a time in any series of work where you get to a certain point and your work is going steadily and each picture is better than the next, and then you sort of level off and that's when you realize that it's not that each picture is better then the next, it's that each picture up's the ante. And that every time you take one good picture, the next one has got to be better.
I just do my work, and I work every day, and my ambition is just to do something better than I last did.
If the Lord sets you to guard a lonely post in perfect stillness from all active work, you ought to be just as content as to be in the midst of the active warfare. It is no virtue to love the Master's work better than the Master's will.
When the artist is truly the servant of the work, the work is better than the artist; Shakespeare knew how to listen to his work, and so he often wrote better than he could write; Bach composed more deeply, more truly than he knew, Rembrandt's brush put more of the human spirit on canvas than Rembrandt could comprehend. When the work takes over, then the artist is enabled to get out of the way, not to interfere. When the work takes over, then the artist listens.
Every now and then you'll say something that didn't quite work. But the important thing is, as a comic, you try to learn why it didn't. And then you adjust and figure out how to either make it work or just abandon it because it's just not funny.
Girls was the first television show I got to be a part of, and that was here in New York. Getting to work with Lena Dunham, and to work with HBO and Judd Apatow, and then being a big fan of Ryan Murphy, I couldn't have asked for a better opportunity than this.
Make your work deeper and better than those before you, and eventually someone will notice. If you don't think the work is better than what you've seen, then go back until it is.
A finer body of men has never been gathered by any nation than the men who have done the work of building the Panama Canal; the conditions under which they have lived and have done their work have been better than in any similar work ever undertaken in the tropics; they have all felt an eager pride in their work; and they have made not only America but the whole world their debtors by what they have accomplished.
The thing about theater that always and still kind of makes me edgy is that you work and work and work and work, and then you're just in performance mode, and then you have to just be on; the work is done, and then you just have to do it over and over again, so you're just constantly at that performance level.
Every day, I have to work and show the coach I work well and I deserve my place.
Making money has always been pretty easy for me, but today I don't need any more money. I still work, because money is important, but my work is more important than the money, now. And that's a very big difference. I just work because I enjoy my work.
While writing is a mystical process, it's also work. If you show up to work five days in a row, nobody's going to pat you on the back - everyone does that. Well, do that with your writing. Just show up. Be there for it. When you get an idea, write it down somewhere and then be a steward of that idea.
I'd be lying if I said I went into any project with any premeditated ideas of what's gonna happen or what's gonna be perceived as a result of it. I just kinda work on autopilot and then, when it's done, it's done and I have more of an internal sense of when that is. And then I leave it up to the audience to decide if one's better than the other.
Long ago you may have given up control of your brain and set it on autopilot either because it just felt like too much work. And it is work! But for me, this work was well worth it for the prospect of not waking up sad every day.
You don't start by saying, 'Well, am I better than her?' Because that goes nowhere. Instead, all your work, your passion, your will has to go into what you do. And then if there is a result, if people like you, if you are a bit different, then fine.
It is a conscious choice to go for content-driven scripts because that is the key for any film to work. There are no two ways about it, and I have always been attracted to great content.