A Quote by Reed Mullin

The Blind album itself was more drum and rhythm-centric and I really enjoyed that. — © Reed Mullin
The Blind album itself was more drum and rhythm-centric and I really enjoyed that.
I really enjoyed playing that Blind stuff because it's a little more mathy and metal and as far as drumming goes, it's a bit more fun.
Karl Agell sang for our Blind album which was our second best selling record. He's a great guy and as a matter of fact, before Mike, Woody and I really got going on touring on the old Animosity stuff, Karl & I did about a dozen shows performing the Blind album from start to finish. He's still a good friend of mine and is now in a band called Lead Foot that's more Rock and Roll but they're fantastic, kind of Thin Lizzy or MC5 sounding.
Time is rhythm: the insect rhythm of a warm humid night, brain ripple, breathing, the drum in my temple—these are our faithful timekeepers; and reason corrects the feverish beat.
Different phases of your life have different levels of deep, traumatizing heartbreak, and in this period of my life, my heart was not irreparably broken. So it’s not as boy-centric of an album, because my life hasn’t been boy-centric.
The point here is that I enjoyed singing. I enjoyed the rhythm of it. I grew up listening to Louis Prima, who was also rhythmic.
I've got to be kind of careful because I've had good advice: "Don't sell yourself too short." I have to not be too available to everything that comes along. I've always been a people pleaser and now I'm upping the ante in terms of price so I can be more selective. I really enjoyed working on three tracks on Sara Groves' [parenthood-focused] album Station Wagon. I love playing on those songs and I love the heart in that album.
When I did my solo album, I put on a song that I'd planned for Toto that never made an album constructed from a great drum track with Jeff and a bass track with Mike and the guys loved it.
I don't think that a film should be known as 'male-centric' or 'female-centric,' but it should be known for the story. That would be really nice, and viable, too.
I have realized over time that I missed the mark with HyperCard. I grew up in a box-centric culture at Apple. If I'd grown up in a network-centric culture, like Sun, HyperCard might have been the first Web browser. My blind spot at Apple prevented me from making HyperCard the first Web browser.
I had no idea 'The Dream Weaver' would be so successful. Everything just fell into place with that album. I pioneered a number of ideas with that album and subsequent tour. The all-keyboard approach with no guitars was a new one, and I was one of the first to use a drum machine in concert. It was an amazing time.
And then there came the pounding of another drum, as if another giant were coming yards behind him, and each giant, intent on his own drum, gave no notice to the rhythm of the other. The sound grew louder and louder until it seemed to fill not just my hearing but all my senses, to be throbbing in my lips and fingers, in the flesh of my temples, in my veins.
Our third album, 'Grown.' On that album, some of us had the opportunity to have hands-on experience into songwriting and production. The project itself taught the members how to create an album ourselves while grabbing guidance from the producers we worked with.
I see only one requirement you have to have to be a director or any kind of artist: rhythm. Rhythm, for me, is everything. Without rhythm, there's no music. Without rhythm, there's no cinema. Without rhythm, there's no architecture.
There's this Method Man album called 'Tical.' It's his first album. I would just listen to that every day, because the album feels like, if it were a film, it would be black and white. It feels like there's a war percolating throughout the album itself. It's dark, and it has a nice forward pace to it.
The rhythm is below me, the rhythm of the heat. The rhythm is around me, the rhythm has control. The rhythm is inside me, the rhythm has my soul.
Daddy says the world is a drum tight and hard and I told him I'm gonna beat out my own rhythm.
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