A Quote by Reem Acra
I always said that I want to write a book about success and my story and my brand and everything that goes with it, as a woman, as a leader, as someone who has stepped up to the plate and who opens the door for the rest of the women from the Middle East.
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Keep a diary, but don't just list all the things you did during the day. Pick one incident and write it up as a brief vignette. Give it color, include quotes and dialogue, shape it like a story with a beginning, middle and end—as if it were a short story or an episode in a novel. It's great practice. Do this while figuring out what you want to write a book about. The book may even emerge from within this running diary.
I wrote and finished the script for 'Man in the Middle' two weeks after the September 11 bombing. It's a very American film about an ex-diplomat based in the Middle East, a leader in the U.S. administration who now sells used cars in the Middle East.
I always knew from the beginning that this was the only way to write Then We Came To The End - that it had to be in first - person plural if it was going to illustrate how the individual becomes part of the collective. I had no interest in writing the book in a more conventional voice. It goes back to that fascination I had with telling a story in multiple ways. It was the only choice I gave myself, really - I said "This is it, pal. If you can't tell a story this way, you're going to have to abandon the book. Write it this way or give up."
A woman was taking a shower. There is a knock on the door. Who is it? Blind man! The woman opens the door. Where do you want these blinds, lady?
There's always Tunisia. Amid the smoking ruins of the Middle East, there is that one encouraging success story.
I fear dying in the middle of a book. It would be so annoying to write 80,000 words and not get to the end. I'm phobic about it. So when I'm writing a book I leave messages all over the house for people to know how the story ends, and then someone can finish it for me.
It's a funny thing that's happening online. The Middle Easterners want 'Aladdin' to be a Middle Eastern story, and the Indians want 'Aladdin' to be an Indian story. The truth is, it's really a folk tale from the 1800s, and Agrabah is a fictional place that's a culmination of India and Asia and the Middle East.
Women tend to be more interested in reconciliation. A Kenyan woman leader said to me, "You know, in a war, men and women want different things. The men care a lot about territory. And they care where the borders are. And they want this whole state. The women," she said, "they want a safe place." And she put her fingers like this, "They want a safe place for their children to go to school without being shot, for their daughters to not be raped."
I must try desperately to absorb all information I can about the Middle East. I want to excel. I want to speak articulately about the politics of the Middle East and its religion.
I didn't write my book, 'I Don't Care About Your Band,' in order to give women a brand-new set of dating rules they need to feel terrible about not abiding. I wrote my book to make the women who read it feel good about themselves, and a little more entitled to be treated well by the guys they go out with.
People think just because I'm from the Middle East, I'm an expert on the Middle East. So, like, I got a friend, like, any time the gas prices go up, he'll always ask my opinion about it.
We'd decided to write a book about two friends. I gave her some coffee and then we sat there not knowing what to do. How do you start writing a book together? So Kate [DiCamillo] got up after about 10 minutes into this endeavor, and said, 'Well, that was fun,' and started to head out the door. I said, 'Wait, wait, wait, no no no,' because I'm a bit more patient.
Egypt is the most populous Arab nation, the seat of Sunni Islamic doctrine, and has tremendous political, religious and social influence on the rest of the region. For better or worse, it will lead the rest of the Middle East by example. So goes Egypt, so goes the region.
Women are prepared to run for office. They're prepared to show up. Oh yeah, women have big roles to play, and they have stepped up to the plate already.
I think it helps in any comedy room for a woman to have very strong, respected convictions, because then it opens the door up a little bit for other women to have that.
The people who are successful are those who are grateful for everything they have. Giving thanks for what we have always opens the door for more to come, and ungratefulness always closes the door.
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