A Quote by Reese Witherspoon
My ex-husband is very involved in raising our beautiful children. We're very lucky because we both grew up in working families in middle America. We're on the same page that way.
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I 'm grateful for the success that( husband) Bill and I have had, we both come from hard-working families. We both have worked very hard.
Life is all about making choices and I'm very happy with mine. I have had a wonderful time raising four children and I've also been lucky to have the support of a wonderful husband.
We were very lucky. My mother and stepmothers were on very, very good terms, and so we, the children, grew up as brothers and sisters.
I am very lucky to have a wife who supports me, but the absence from my children was difficult from the moment I took a very difficult decision to have a career which requires so much dedication and focus, just like raising children.
Spending and tax cut decisions must be both fiscally responsible and fair to our working families. I believe that fiscal responsibility is the way to create prosperity for America and secure the retirement of America's seniors.
Historically, the argument is we stole the country from the Indians. America stole the labor of African Americans for over 200 years under slavery. America took half of Mexico by force in the Mexican War. American foreign policy, the progressives say it's based on theft. Why? Because look, America is very active in the Middle East. Why? The Middle East has oil. Notice that America doesn't get involved in Haiti or Rwanda because they don't have any oil.
I have a very, very normal life. I really do - with the exception of being very lucky and privileged. I have two children, a dog, and a husband. We live in New York, the kids go to school, and we're fortunate that we have flexible schedules. I like that. That's what I want.
I think I was just lucky to be brought up in a very musical family. My two older brothers were, and still are, very musical and very creative, and music was a big part of my life from a very young age, so it is quite natural for me to become involved in music in the way that I did.
My children grew up with one Western parent. My husband doesn't believe in raising his voice with the kids and we don't spank. They were really raised in a half-Asian family.
I came to N.Y.C. in 1988 and got very involved with Act Up. I also started making movies, including two very gay shorts, 'Vaudeville' and 'Lady.' It was the height of the AIDS epidemic, and New York City was both dying and very alive at the same time.
I grew up middle class - my dad was a high school teacher; there were five kids in our family. We all shared a nine-hundred-square-foot home with one bathroom. That was exciting. And my wife is Irish Catholic and also very, very barely middle class.
It's very different - the European way of working and the American way of working. There are two sides for each of them. In Italy, or France, we take it very slow. For example, we would have a lunch break of an hour or more. Just sitting down at the table, chitchatting. In America, it's like, "Grab your sandwich, we're ready to shoot in 10 minutes." But at the same time, everything works so much better in America. It's more efficient, so it's easier to bring the results home faster.
It was something very beautiful because we all had that interest. We were very close to all of the different groups of the time - the ones that we began to play with in the same venues - Maldita Vecindad, Caifanes, Botellita de Jerez. However, we were all very different, and each group had their unique way of expressing themselves; their own original voice. It was a very beautiful era of Mexican music, and the truth is that we are very fortunate to have been part of it.
I grew up in Louisiana, and I grew up with a dysfunctional family with some very serious abuse from my stepfather, who could be a very beautiful person on one hand and be terrible on the other, so it leaves your soul troubled as a child.
I was a very lucky kid, because I grew up affluent Santa Barbara, California. My experience as a child was probably so different from people I met later who grew up in the rural South, where many doors were closed to them.
I grew up without the rose-tinted look at the profession many of my friends had, but I've been very lucky playing major roles in 'An Ideal Husband', 'Arcadia' and 'The Memory of Water'.
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