A Quote by Reese Witherspoon

I really wanted to be a Broadway kid. — © Reese Witherspoon
I really wanted to be a Broadway kid.
I always wanted to be a Broadway star. That's actually what I wanted to be when I was a kid. I wanted to be the 19-year-old sensation on Broadway. It took a little bit longer than that.
If you don't go to Broadway, you're a fool. On Broadway, off Broadway, above Broadway, below Broadway, go! Don't tell me there isn't something wonderful playing. If I'm home in New York at night, I'm either at a Broadway or an Off Broadway show. We're in the theater capital of the world, and if you don't get it, you're an idiot.
All I ever wanted to do when I was a kid was be in a Broadway musical and to be in 'Star Trek,' and I can finally say I've done that.
I knew when I was a kid that I had a Broadway voice. I wanted to be a rocker, because I grew up in that era of transistor radios at the beach.
I was doing a Broadway play, and I was really new to this business. The Broadway play was my first job, literally. The play next door was a musical called Falsettos. The director got hired to direct this Michael J. Fox movie and was looking for a kid who could play brash and salty and mean [in Life With Mikey].
I wanted to be a therapist if the acting didn't work. I also did a lot waitressing and odd jobs. I'd audition but couldn't get hired to save my life. I'd do Off-Broadway theatre and that was great and I was excited and thrilled, feeling like, 'Well, it's Off-Broadway, but there's still the Broadway in there.'
Making my Broadway debut was, in and of itself, just a dream come true. I've wanted to be on Broadway forever.
I have always wanted to do Broadway, my whole life, but I never knew I'd actually make it - it's a dream; it's never been in the realm of possibility. So to be doing 'Hello Dolly!,' it's not just Broadway, but it's the most joyful, sort of classic Broadway experience with the most extraordinary company.
When I'm writing Broadway, it's for a character, a man, a woman, an old guy, a kid. In the band, you're talking in your own voice in the lyrics, saying what you think or feel. On Broadway, you're expressing that through a character.
As a kid growing up in Lancaster, Pennsylvania, all I wanted to do was be on Broadway in a musical. 'Spring Awakening' kind of answered all of my questions and fulfilled all of my dreams - beyond my wildest dreams.
I wasn't a kid who wanted to be a writer. I wanted to be a doctor. I was kind of morbid. I was really into the body and how it could go wrong. I wanted to dig up bodies from the graveyard.
I always wanted to be a musician from when I was kid. It was always a massive dream of mine. School was also really really important to me and having an education was top of my priority. So I really wanted to have a degree before I tried anything in the music industry.
I never wanted to be a wrestler, I wanted to get into musical theater. I always wanted to be on Broadway.
The Broadway community is unlike any community in show business and it is unlike any community in the world. When you come into the Broadway community they open the door and they say "welcome". Not only do they do that, but when times are really tough and horrendous things have happened and really tragic things - the Broadway community shows up! And they say "how can we help?".
I think even before I knew I wanted to be a rapper, I wanted to be an entertainer. I was really into Michael Jackson as a kid.
When I was growing up in the Isle of Man with ambitions of being a performer, I really wanted to go to see a Broadway show.
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