A Quote by Reg E. Cathey
I think horror or science fiction is another way of telling a modern myth - it's like Ancient Greece; it's like kids couldn't wait for the next 'Orpheus' story, the next 'Jason and the Argonauts.'
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Sometimes kids ask how I've been able to write so many books. The answer is simple: one word at a time. Which is another good lesson, I think. You don't have to do everything at once. You don't have to know how every story is going to end. You just have to take that next step, look for that next idea, write that next word.
I never wanted to get to a point in my life where I knew what was going to happen next. I felt like most people just couldn't wait until they found themselves settled down into a routine and they didn't have to think about the next day, or the next year, or the next decade because it was all planned out for them. I can't understand how people can settle for having just one life.
Say you have a headline like "Mountain Bike Stolen," and then you read the story, read another story about it the next day, and then the next week, and then the next year. News is a process of expansion, the filling in of detail, and making narrative connections - not based on chronology, but based on features of the story. There are narrative connections made between props, between characters, between situations, and so forth.
In fiction the narrator is a performance of voice, and it can be any style of voice, but I'm interested in the ways that a voice that knows it's telling a story is actually telling a different story than it intends to. In the way that I can sit here and tell you what I had for breakfast, but I'm really telling you that I'm having an affair, something like that. And I don't think my writing is plain, but I think a lot of my characters are just talking. There is vulnerability there, in that we can start to see through them, we can start to see where they're deceiving themselves.
I don't know what that line is between fiction and non-fiction that other people have in their minds, but to me, when I'm writing, it's just like whatever the next sentence should be is the next sentence. It's not this artificial division.
The mysteriousness and mystique of space is such, that science fiction attempts to tantalize you by telling you a story that could possibly be out there and that's the appeal of science fiction.
I like working in children's books because it gives rise to such a variety of jobs. One month it may be a picture book, the next a retelling, the next a play, a short story or the start of the next novel.
I don't think I've ever tried to be something that I'm not. People do that for you. People try to pigeonhole you. People tried typecasting me, before they even saw me in anything else. I've never understood that. I was like, "Why don't you wait until my next project, before you start telling my what my career is going to look like, for the next 10 years?" I've never let it set me back because I always knew the world would try to do that for me, anyway.
I'm fond of science fiction. But not all science fiction. I like science fiction where there's a scientific lesson, for example - when the science fiction book changes one thing but leaves the rest of science intact and explores the consequences of that. That's actually very valuable.
We live in the Age of the Next New Thing; we're assaulted day and night by tastemakers telling us what the next hit will be, the next style, the next cool.
Science fiction is a weird category, because it's the only area of fiction I can think of where the story is not of primary importance. Science fiction tends to be more about the science, or the invention of the fantasy world, or the political allegory. When I left science fiction, I said "They're more interested in planets, and I'm interested in people."
I think I'm built like a painter. I have friends who are painters and they reflect a similar psychological attitude towards their work. They don't know what's coming next, they just wait for the message, for orders to come and then off they go on their next project.
You never know: the next DJ Snake, the next Skrillex, the next big DJs might wait outside of the club. You gotta give back and listen to the next generation and show some love.
If science fiction is the mythology of modern technology, then its myth is tragic.
What President of the Airline is doing is, he's urging everyone to give up their frequent flyer miles for sick kids... But as I was reading this, there were two empty seats next to me. Why can't sick kids sit there? If they're so concerned with sick kids, shouldn't they have like a pen of sick kids next to the gate?
I was always telling girls who said that they wanted to be the 'next' Kate Moss or the 'next' Gisele that it wasn't possible, because the 'next' girl wasn't going to look like anybody else; she would be somebody unique. If you look at all the great models... they all have an individual look.
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