A Quote by Rege-Jean Page
I used to be in music, in a punk band in my teens. It was very teenage of me, I wanted to find a way to be loud and angry and righteous and that seemed the most productive way to do so.
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You don't need to be talented. You don't even have to play the guitar to be a guitar player in a punk-rock band. So I, in a very naïve and teenage way, said, "That's it. I'm going to be in a band."
The music industry went through such a strange stretch in 1977, especially in this country, with the whole punk rock thing coming about. Punk was rebellious-and justified in that response-but it had very little to do with music, and so it created a highly-charged but frighteningly floundering atmosphere that I found very, very disheartening. Musical quality for me has always been an important part of rock'n'roll-and winning recognition for that has long been an uphill battle all the way. Punk seemed like rock'n'roll utterly without the music.
Punk rock was the first thing I found in my life that made me feel acceptable. The thing that got me into punk rock was the idea, "You're fine just the way you are." It sounds kind of dorky, but you don't have to make excuses for who you are or what you do. When you find something like punk rock, not only is it okay to feel that way - you should embrace your weirdness. The world is totally messed up, and punk rock was a way to see that and work with it without candy-coating it. It was saying, "Yeah, the world is this way, but you can still do something about it. Take energy from that."
I wanted to be in a punk band before I had even heard any punk music.
I've been in very many situations where I've not liked the other members of the band or they have not liked me. I grew up presuming that's the way music was made. It doesn't need to be that way. It's taken me years years to find that out.
I certainly didn't want to be in a punk rock band, because I had already been in a punk rock band. I wanted to be in a band that could do anything - like Led Zeppelin.
I am very grateful to punk because I was a girl, and I felt like if I got in a band, I'd be kind of a novelty act, but punk was all about non-discrimination. No one cared because it was punk, so, you know, anyone could do anything they wanted.
I wanted to have a book that showed there's no one way to sound black. I wanted to tell teens that the way you speak is okay; you're good the way you are.
Even though we're not the most punk rock band, the way we've done things is pretty punk rock. Just kinda say it with a big middle finger to the record labels and do it ourselves.
I started making music with my band in the '80s, so I am more product of post punk than classical music, and I have always carried on this way.
I started making music with my band in the 80s, so I am more product of post punk than classical music, and I have always carried on this way.
Even though were not the most punk rock band, the way weve done things is pretty punk rock. Just kinda say it with a big middle finger to the record labels and do it ourselves.
In high school I was in a band called Goodfight, but it was more me running around on stage. It was very punk inspired. Then I started to get into indie-rock and older music and decided I wanted to write my own stuff. I quit the band. Around 16 or 17, I started recording myself at home on keyboard and piano.
Obviously spending my teenage years in music, and in popular music, I wanted to continue this career, but in a way that allows me to dictate it and create it myself as opposed to relying on third party or more corporate decision making.
I think most people's record collections are more interesting than radio generally gives them credit for. You're likely to be as interested in the Grateful Dead as Palestrina. It pisses me off how compartmentalised music is. I used to be in a punk band, you know?
The magic that you find in surf music, I think, is really timeless. You know, when I was very young, I was in a surf band. Surf music is an instrumental music that still means a lot to me, not in an nostalgic way, but as something that really gets to the heart of the guitar itself.
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