A Quote by Reggie Jackson

When people push back on you and don't think you can do it, and you struggle a little bit and wonder if they're right, it drives you to be successful and to be a great player.
It's great to be compared to a great player like Tracy McGrady, but I think I'm my own type of player. I'm 6'10" and a bit bigger than he is as a player. I also think I'm a bit different and play a different position. He's more of a guard, and I can play all around through five.
I think I can help push the tempo just a little bit... I feel I can get the ball after a rebound. Push the fastbreak. Push the tempo. Get guys some easy shots.
I think we could do with being a little more adventurous in certain areas and push on that little bit more, while a bit of luck also wouldn't go amiss.
But, a lot of people thought that I came into AEW to go right into the main event and right to the top of the mountain and get all the titles thrown on you and push, push, push, push. Not the case, exactly.
I think it's good to sort of push people's expectations a little bit. I've always been doing that.
The great successful men of the world have used their imagination. They think ahead and create their mental picture in all its details, filling in here, adding a little there, altering this a bit and that a bit, but steadily building - steadily building.
If you increase the number of rockets you build and you buy, then it's the scale of the economy, the price is going to come down. It may not come down in order of magnitude, but if several commercial ventures start being successful and there becomes a bigger market for these rockets, the price will naturally come down a bit. That's why I think Excalibur Almaz, we're a little bit unique in that we don't look at our so-called competition with disdain, we want them to succeed and it needs to have more than one player. Even if we are successful, we couldn't handle the entire market ourselves.
Being veterans of the struggle to push back against fundamentalist Christians, American liberals are well acquainted with the pitfalls of the neoconservative flirtation with the religious-right.
And you have a record company behind it, this is a key too, you need people to fight for your records, at least a little bit. So if you have a great song, it's catchy, and you've got a little bit of help, I think that's all you need. But there hasn't been that in music.
When I am in form, my style is a little bit stubborn, almost brutal. Sometimes I feel a great spirit of fight which drives me on.
I think that the word 'ambitious' is still used in a derogatory way when it comes to women, in a way that it's not when it comes to men. It's a generalisation because not everyone is like this, but I think there's almost a love-hate relationship going on with successful women, where you can be a little bit successful and you'll be celebrated, but don't become too successful because that seems to bring out the hate in some cases. Take one glance at social media and you can see that successful women don't seem to be treated with the same respect as successful men.
Filmmaking is always about keeping the right distance, and it's always a struggle. You struggle for more access. It's a little bit of a seduction process, trying to get more access.
Every year, I push myself to do something different - and push the boundaries a little bit more.
When you're not successful, people look at the driver and say, 'what's wrong with him?' and sometimes the drivers look back and wonder 'what makes you think you're not the problem?'
Maybe my great struggle, and it's probably not anything different from too many other people, but it certainly is what drives the music, is a hugely internal one.
I think I kind of grew up with that a little bit and have great admiration for people who do [medical practice] for a living and who are real empaths. So I suppose I drew on - , from my mom a bit.
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