A Quote by Reggie Lee

For the working actor, there's nothing more stable than a network television show. — © Reggie Lee
For the working actor, there's nothing more stable than a network television show.
With the rise of cable, network is clearly floundering because the characters on cable are far more fascinating than they are on network. Network television is trying to figure it out. Network television really relies on story rather than character, and cable relies on character.
There are things I'm doing with 'The After' that would've never flown on 'The X-Files' and on network television, so it's more permissive. That's not to say that you want to abuse that. I think that a show like 'The X-Files' actually worked better as a network show with the restraints put on it, the censorship that was applied.
When you book a network show as an actor, it's like, 'Oh my gosh, I booked a network show,' and then it gets picked up.
Nothing is harder than working with an actor who doesn't take it seriously or show up in the same way that you are.
As an actor what you're always looking for is a character that is going to grow and change especially on television. I feel incredibly lucky to be working on a television show where the writing is always geared towards us growing and changing.
My experience as a young actor on network television was that I couldn't make it work. I was drowning as an actor.
Being on a Dick Wolf show is different than other shows. It's one of the most stable ships you can be on. You can count on the difficult decisions being made, which makes you, as an actor, feel more comfortable and relaxed.
[Exorcist ] is given all of us a great opportunity to show something new on network TV, in terms of the quality of it. It feels much bigger than a network show.
Jason Alexander is a committed actor, he went from working on a show about nothing to actually doing nothing.
To go from working with a group of people in a sketch-comedy show on a small network, where it was all about just creating funny stuff, to being on a network show, and the pressures of that, and getting to know the new people who were involved in it. There was a learning curve for me. But it was an education.
I have been to the theater more since I have lived in New York than I ever really did in London working on a television show.
I respect the hell out of everyone who does a network show. That is a marathon. It's so many episodes, and it can be a meat grinder. Anyone making a network show, and on top of that making a very good network show, that's an insane feat of Herculean endurance and fortitude.
I was living in London and I thought, 'There's nothing here for me anymore.' I don't want to become this actor who's going to be doing this occasional good work in the theater and then ever diminishing bad television. I thought I'd rather do bad movies than bad television because you get more money for it.
There's nothing I dislike more than being in a photo shoot where they say, 'Be yourself.' That's not why I became an actress. That's what I find so funny: that you become an actor, and all of a sudden, everyone wants to know about you. But I didn't become an actor so I could show you me.
I think when you're on a network show, it's crazy how different it is... just being on a network show that reaches that many people. It's not like I'm very famous, but seemingly overnight, I would get recognized more, and it was really weird.
Television is competitive now, and the great stories live on television right now. I'm finding that I'm enjoying television more than film, these days. That was my motivation to take a TV show.
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