A Quote by Reggie Lee

I speak Cantonese, and I speak Tagalog. — © Reggie Lee
I speak Cantonese, and I speak Tagalog.

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I can speak Cantonese, but I can't speak about fashion - I learnt all my fashion in Europe, so often, during interviews in Chinese I just don't know the right word - it can be very hard to explain things.
My dad is an ob-gyn - he's retired now - and he wanted to come to the States to make a better life, for opportunity. My mom said that, on the plane ride here, I did not want to speak a word of English - I spoke Tagalog. And then, after the first day of school, I didn't want to speak anything but English.
When you speak universally, it means that you speak from the Moon, you speak from the Sun, from the stars; you speak by being in every corner of the universe!
I was born in Scotland and have lived there all my life. I speak conversational Cantonese with my dad when I'm at home, and very basic Mandarin.
I speak English, obviously, Afrikaans, which is a derivative of Dutch that we have in South Africa. And then I speak African languages. So I speak Zulu. I speak Xhosa. I speak Tswana. And I speak Tsonga. And like - so those are my languages of the core. And then I don't claim German, but I can have a conversation in it. So I'm trying to make that officially my seventh language. And then, hopefully, I can learn Spanish.
When I go to Colombia or Mexico, I speak Spanish. When I go to Italy, I speak Italian. When I'm in Germany, I speak German. Would I expect them to speak English in these countries? No. I mean, great if they do, but no. Would I be offended if in Spain they say we speak Spanish? No. If I was an immigrant there, no.
When I speak, I don't speak for myself; I don't have the luxury of a Caucasian to be able to speak for myself. I speak for a whole community, and I represent so many different communities that that felt like a lot of pressure.
I always think if you speak to someone in their second language, you speak to their head. If you speak in their first, you speak to their heart. I've always tried to let players see that.
Characters on stage, like people in what we refer to as "real life," do not speak to reveal themselves. They do not speak to conceal themselves. They speak to get whatever it is that they want. It is the only reason they speak.
When men talk about war, the stories and terminology vary - it's this battle, these weapons, this terrain. But no matter where you go in the world, women use the same language to speak of war. They speak of fire, they speak of death, and they speak of starvation.
I spend most of my time speaking to people who totally disagree with me. I speak to gays, I speak to atheists, I speak to secularists, I speak to Muslims because I am trying to build a bridge between my heart and theirs so Jesus can walk across and they can come to know Christ.
The world has wanted me to speak differently than I speak. You know, I speak like my mom; I speak like, you know, like the whitest white dude; I speak like a Def Comedy Jam comedian doing an impression of a white guy.
Tell me the word that will win you, and I will speak it. I will speak the stars of heaven into a crown for your head; I will speak the flowers of the field into a cloak; I will speak the racing stream into a melody for your ears and the voices of a thousand larks to sing it; I will speak the softness of night for your bed and the warmth of summer for your coverlet; I will speak the brightness of flame to light your way and the luster of gold to shine in your smile; I will speak until the hardness in you melts away and your heart is free.
My mother, she's the one who's gifted with language. She can speak Japanese, of course, Tagalog, which is a Filipino dialect, Spanish as well as English. And I speak a little bit Japanese because I've had the opportunity to work alongside Japanese people. And a little bit of German, a little bit of Portuguese because of work. A little bit of French because of work. But then, if you asked me to carry-on an everyday conversation, I would fail miserably.
I have seen these persons speak unthinkingly, not realizing that to speak is also to be. Word and gesture are man's thought. We should not speak without reason.
I believe that filmmakers have to internalize the story and subtext so well that all of the departments can start to speak to each other - that music can speak to cinematography can speak to writing and back again.
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