A Quote by Reggie Watts

I've always wanted to do a Shakespearean soliloquy, or a fake Shakespearean soliloquy, and now I'm doing that more often in shows. Things I've always wanted to do starting to happen.
Initially I started in theatre as a Shakespearean actress before film and television. I've always been an artistic child growing up and I knew I wanted to act for as long as I can remember.
As an audience, if you see 1800s or something, it more often seems that the actors are carrying the weight of the time. It always has a Shakespearean tone to it. To me, that always feels very theatrical and very unrelatable.
I'm not a Shakespearean actor really, or a Shakespearean director.
Horrible things happen all our lives; we all experience loss and death and trauma. Usually, most people, I think, we just get on with it. We don't have a whole soliloquy in the middle of something.
I look at my women with a Shakespearean element too - the variant of emotions they are capable of - it's not all completely dour, there is a bit of humor in there too! I actually think the whole Shakespearean world is wrapped up in every human being, from beauty to destruction and everything in between.
I need all kinds of songs - fast ones, slow ones, minor key, ballads, rumbas - and they all get juggled around during a live show. I've been trying for years to come up with songs that have the feeling of a Shakespearean drama, so I'm always starting with that.
I remember travelling up and down the road, and I kept journals during my whole career, and I was always making notes about things I wanted to say, words I wanted to create, actions I wanted to do, things I wanted to do to make the character more imaginative and fantastical.
When I was doing Shakespeare and I had spent a lot of time and effort in trying to become a great Shakespearean actress. That was how I started my career, was in the theater doing Shakespeare. And my ambition was to be a great classical actress. That was what I wanted more than anything. So, I really pursued that in the first four years of my career. And it was an uphill struggle. It really was. Shakespeare's difficult and Shakespeare in a big theater is even more difficult. So, anyway, it was a struggle for me.
I like the idea of being caught between things, always being a bit of an outsider, having an outside eye on things - almost like a Shakespearean fool.
I always wanted to be a singer, it's what I wanted to do since I was little. I'm doing it now and I couldn't be happier.
Like, I always knew I wanted a Kanye West feature and a Jay-Z feature. I knew that starting in the game when it wasn't even realistic to happen. I already knew who I wanted to do records with.
A man's house is his stage. Others walk on to play their bit parts. Now and again a soliloquy, a birth, an adultery.
A lot of ones I've really chased and wanted - as a comic, I've always wanted to do a 'Mock The Week' - it's always discussed, but for whatever reason it doesn't happen.
I have always been driven; I've always wanted to be published, and I wanted to make that happen, so I worked very hard. 'Perfectionist' would be a word to describe me.
As a child, I would watch 'Frasier' a lot, and there was one episode with Derek Jacobi where he was playing this Shakespearean actor that was a terrible Hamlet. And he reenacted the performance, and for days I went on. I'd perform and do that, and I knew I wanted to do something kind of like that as a kid for awhile.
I always wanted to be Gene Hackman and I always wanted to be, you know... I wanted to be one of these guys. I always wanted to be Bob Duvall.
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