A Quote by Reggie Watts
There are three different modes: playing piano, just me at the microphone, and me at my effects units. And I can mix those up in different ways.
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Everyone asks me if piano had helped me in football. I guess improvisation and creativity helps on the field, but that's a reach. The two skills are just so different. And, by the way, I get more nervous playing piano.
Different men seek after happiness in different ways and by different means, and so make for themselves different modes of life and forms of government.
The piano is just a different animal. It's expensive, it's big, it's heavy, and it doesn't fit in the mix easily. Everyone grew up with a piano in their living room, so rocking out on the piano was accessible - it wasn't an upper-class thing. Now pianos have become very much a piece of furniture.
You can't be different if you look at it. Being gifted is different. I had that in my piano playing. I'm very thankful for that. I'm very aware of that. The style and what I fed is just me. I never worked at it. It just happened.
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The muse, the beloved, and duende are three ways of thinking of what is the source of poetry, and all three seem to me different names or different ways to think about something that is not entirely reasonable, not entirely subject to the will, not entirely rational.
Just like an ordinary guitar string, a fundamental string can vibrate in different modes. And it is these different modes of vibration of the string that are understood in string theory as being the different elementary particles.
Playing the violin and singing and whistling are just three different ways of making sound. It's not trying to replace a band, per se. It's become a completely different thing. And it's not just simply an effect. It's just a very surprisingly intuitive thing.
I love getting to have different food and getting to be around different people and different cultures and different ways people look at life. It's really kind of helped me open up my mind and see the world from different perspectives.
Writing 'Men We Reaped' broke me in different ways at different spots in the drafting process. The first draft was hard because I was just getting it out. In some ways, that draft failed. I was really just telling the story, not making assessments - this happened, then this. Just putting those facts down on paper was really painful.
My philosophy with my career is mostly to just mix it up with a little bit of everything in moderation. And that's what makes my job so great, is that I get to constantly do different things, put on different hats, be different people, and mixing up the genre really lends itself to that.
Playing the violin and singing and whistling are just three different ways of making sound.
There's something refreshing about going to work with a different group of dancers. There are different ways of moving, different ways in which the institution functions. There's a contrast from place to place, so the variety and the experience of working in a different place feeds me.
As part of the process, there are a lot of different ways to evaluate players. There are a number of different companies and things out there that do different things; that have different ways of evaluating and those types of tests and so forth.
For the piano and me it is always a blind date! I meet different pianos every single day. I can't take my piano with me like a bassist can take his instrument. So whenever I arrive I am a bit nervous to see what kind of piano is waiting for me.
Was not a breakup, you know - is just going three different ways and sending the music in three different directions. Was just that my inspiration was growing, and my cup filled and runneth over... One man grow mango, another grow pear.
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