A Quote by Regina Brett

Writer's block.. when one curses the blinking cursor on the blank page. — © Regina Brett
Writer's block.. when one curses the blinking cursor on the blank page.
Editing is hard but nowhere NEAR as tough as facing that blank page and blinking cursor each day. You're all alone and no one else can do it. At least with editing you have someone in the trench with you.
I don't believe in writer's block. Most of writer's block is having too much time on your hands. My mantra is that you can always edit a bad page; you can't edit a blank page.
Like a blinking cursor on an empty page, it was just the first thing. The beginning of the beginning. But at least it was done.
As a writer, if you have something on a page, you can start moving it around and get something you like. But if you have a blank page, it's just gonna be a blank page.
I don't even subscribe to writer's block being a truthful thing. I've had writer's laziness quite often. But I think it's all about sitting down and facing down the blank page and doing it, and I've always been ok at that.
Writing let me escape... It let me escape the insistent tug of my family, and its ongoing misery. Sitting in front of the computer, with the screen blank and the cursor blinking, was the best escape I knew. And there was plenty to escape from.
In the end, I am quite normal. I don't have odd habits. I don't dramatize. Above all, I do not romanticize the act of writing. I don't talk about the anguish I suffer in creating. I do not have a fear of the blank page, writer's block, all those things that we hear about writers.
Yes, the fear of its blankness. At the same time, I kind of loved it. Mallarmé was trying to make the page a blank page. But if you're going to make the page a blank page, it's not just the absence of something, it has to become something else. It has to be material, it has to be this thing. I wanted to turn a page into a thing.
When I write, the first blank page, or any blank page, means nothing to me. What means something is a page that has been filled with words.
I have a horror of the blank page. I simply cannot write on a blank page or screen. Because once I do, I start to fix it, and I never get past the first sentence.
So at 19, I faced my first blank page as a professional writer.
Having the great opportunity on a daily basis to sit in front of a blank page is terrifying, and at the same time really exciting. I can't actually get better at my job, because every time you finish something you start with a blank page, with nothing.
At some point if you're a professional writer, no matter what, it always comes down to you staring at the blank page by yourself.
Sometimes it can be really exciting, but I avoid the blank page now. What I do is hand write everything. When you're hand writing, there's never a blank page, really. There's so much you can do with that.
One thing I knew about the novelist’s task: when in doubt, write; when empty, write; when afraid, write. Nothing is more impenetrable than the blank page. The blank page is the void, the absence of sense and feeling, the white light of literary death.
It's a neat experience to go from the blank page to an actor elevating it to the audience understanding it - the full life of that is why I became a writer.
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