A Quote by Regina King
And there's also not enough films that are more of a imitation of what real life looks like.
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You feel touched by a movie in a good or bad way or you have a strong reaction to something that's totally artificial, to an imitation of life. But that imitation of life that you see on the screen can affect you almost as if it was real.
We always have the movies that are more toward real life, but they don't have that much drama or suspense, or we have the full of drama or suspense, but they're far away from real life. Always when I was watching a film, films with good drama, I was thinking, "I wish they were more close to real life." But when I was watching real life films I was thinking, "Well I wish it had more drama." I've tried, in the movies that I worked so far, to get these two things closer and closer to each other.
I can also be very happy in this life, but it's usually happiness that I get from other lives I've lived and other dimensions. This life is hardly important to me. It's very small compared to the importance that I think the fourth and fifth dimension have. Those places are much more real to me, like when you have a dream and it's more real to you than real life. Compared to where I'll be going, this life seems like a dream that just feels like a dream.
I guess I get enough real life, in real life, so that's why I like things that are more extreme.
And this movie [Real Steel] definitely looks like nothing else I've made, which was the point. I think also, Evangeline and Hugh are such a fantastic... Their chemistry is so genuine. And also it's a good balance to all those visual effects. It'll give you more of the tone.
I think that's why Meryl Streep is working so much, because she looks like a woman we can all relate to. I look at her and I think, 'I'm chasing my kids, I've moved my parents in with me, I'm coping with food spills - that looks like me in real life'. Meryl looks like an unmade bed, and that's what I look like. To me, that looks true.
I choose my films in a way that helps me do justice to all of them. Also, I like doing time-consuming films like 'Baahubali'; it's sometimes more rewarding than doing lots of small films.
Imitation is very easy, and the whole culture and society depends on imitation. Everybody is telling you how to behave, and whatsoever they are teaching you is nothing but imitation. Religious people - the so-called religious people, the priests, the theologians - they are also teaching you, `Be like Jesus, be like Buddha, be like Krishna.` Nobody ever tells you, `Just be yourself` - nobody. Everybody is against you, it seems. Nobody allows you to be yourself, nobody gives you any freedom. You can be in this world, but you must imitate somebody.
This album - Pain Medicine - is diverse enough and healing enough to help people get through real life sh*t whether it be through laughing at a dude because he's wack in the bed or it be through a record like when crying is easy where you explore what isn't in life that will make you happy. Real recognize real.
I like that Sarah Palin. She looks like the flight attendant who won't give you a second can of Pepsi ... She looks like the nurse who weighs you and then makes you sit alone in your underwear for 20 minutes ... She looks like a real estate agent whose picture you see on the bus stop bench ... She looks like the hygienist who makes you feel guilty about not flossing ... She looks like the relieved mom in a Tide commercial.
The real champions in life are so humble and gracious. They just continue doing what they do without all the posturing. If you've got the real thing, you don't have to flaunt a loud imitation.
I like films that go a little more daring visually, and story-based stuff that usually reflects pretty closely to what real life is.
I like 'The Usual Suspects'. Great film. I also like 'Scarface', films like that. Lots of gangster films. I really like watching all kinds of films, dramas, romance. I'll watch comedies. I like Al Pacino, Robert De Niro, Denzel Washington, Chris Rock, Dave Chappelle. I'd like to meet them.
The producer beating a new path for himself through the wilderness is going to do the thing 'differently,' of course. But after a while, he looks about him. The territory is unfamiliar, the forest ahead forbidding. Just how 'different' dare he be? He looks at his resources, and then at the established successes of the past. He suddenly realizes he must play safe, be sure. The unknown is a gamble; the known isn't-at least comparatively. The safest plan, obviously, is to follow the trailblazers. So he produces an imitation of one of the current successes. Usually it is a mediocre imitation.
I like to write about real people, real crimes. But what has increasingly come to interest me, and also appear to me as a challenge, is the idea of doing strange things with what is real. Take what is real and make it more or less real.
Often, I feel like a cheap imitation aesthetically looks better to me than the real, out-of-reach thing. It's amazing that brands create a whole illusion of exclusivity and luxury, and then you can go get the $5 version of a $30,000 thing and feel the same way but have a cool little secret.
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