A Quote by Regina King

If anyone has the opportunity to connect the dots and look at the directors I've worked with, from TV to film, there are some heavy hitters, from Taylor Hackford to John Singleton.
I want consumers to connect the dots, to go to any store and look at the label and connect the dots between buying cheap China products, which is better for the wallet, and all the other things we lose, like jobs.
When we were small, Rose and I used to play a game called connect the dots. I loved it. I loved drawing a line from dot number 1 to dot number 2 and so on. Most of all, I loved the moment when the chaotic sprinkle of dots resolved itself into a picture. That's what stories do. They connect the random dots of life into a picture. But it's all an illusion. Just try to connect the dots of life. You'll end up with a lunatic scribble.
My education - my Ph.D. in storytelling - comes from having worked on it, being a lover of film and watching them, from working with some great writers and some very good TV directors and then working with some who weren't.
I worked for John Ford, Howard Hawks, Henry Hathaway, Raoul Walsh - I worked for some real good directors.
I've worked with a lot of real heavy hitters, and Quentin is maybe heads and shoulders, at least a forehead, above just about anybody I've ever worked with.
I've been really lucky to work with some really great film people in the past, but television works on a much quicker schedule, and it's the TV directors I've worked with that I looked to and became a big fan of.
I have never done Cult TV before, the convention was good. It gives the fans a chance to meet the celebrities. Connect with the guy that used to be a bunch of coloured dots on your TV screen.
You can't connect the dots looking forward; you can only connect them looking backwards. So you have to trust that the dots will somehow connect in your future. You have to trust in something - your gut, destiny, life, karma, whatever. This approach has never let me down, and it has made all the difference in my life.
Again, you can't connect the dots looking forward; you can only connect them looking backwards. So you have to trust that the dots will somehow connect in your future. You have to trust in something - your gut, destiny, life, karma, whatever. This approach has never let me down, and it has made all the difference in my life.
Whenever you create some sort of disturbance in the air, there's an awakening that happens, an opportunity for a conversation, an opportunity to build bridges, specifically, an opportunity to connect different groups that typically wouldn't connect with one another.
I suppose all moms have an idea who they hope their daughters will be. Like a connect-the-dots picture where you think you know what shape it will become. But then it's the daughter who draws the lines, and she might connect the dots you didn't intend, making a whole different picture. So I've gotta trust the dots she's given me, and she's gotta trust me to draw the picture myself.
I used to be around John Cena all the time in WWE, and I watched him and the way he worked. John is a guy who has been at the top longer than anyone else in history, and I'm lucky to have the opportunity to train at Cena's gym and go to him for advice.
Life is simply a connect-the dots game, and all the dots have already been identified and organized by somebody else. All you have to do is follow the blueprint, use the system, or work the program that they provide.
My husband John Thaw worked with many directors, some of whom cut their teeth working on the 'Sweeney,' 'Kavanagh QC' and 'Morse' before going on to illustrious careers.
The inability of some critics to connect the dots doesn't make pointillism pointless
I don't have any problem working with first-time directors because all directors have to start somewhere and all great directors have had a first film. So, if you take the view that you don't want to work with a first-timer, you might miss out on a fantastic opportunity.
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