A Quote by Regina Spektor
When I think of my art tribe - you know, my peeps - there are certain people who are autobiographers that I really love. But for the most part, overwhelmingly, my tribes are the surrealists and the storytellers, in song and literature.
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For me, creating the clothes of Givenchy is the way to make my tribe. It's related to religion, too, because it's people trying to find identity - the young generation is looking for tribes. You have the hip-hop tribes, the punk tribes, the rockers, you have the hipsters, the bourgeois ... The fact of the tribe is that it's like a religion. Punk is like a religion, because it's a belief.
Conformism is essential to the group coherence and 'spirit.' The whole impetus behind tribalism of this kind is conservative: Belonging to the tribe is defined by opposition to other tribes. Our tribe, and its traditional ways, is superior to other tribes because it is ours.
The most important quote about poetry and politics that I know is from a different situationist, Guy Debord. He was locked in a debate with the French Surrealists, many of whom by the 40s and 50s were part of the French communist party apparatus. Many Surrealists eventually argued for instrumentalizing art for political ends. Debord countered, "I don't want to put poetry in the service of revolution. I want to put revolution in the service of poetry".
There are no limitations with a song. To me a song is a little piece of art. It can be whatever you like it to be. You can write the simplest song, and that's lovely, or you can just write a song that is abstract art. ... A lot of my songs are very serious, I'm like dead serious about certain things and I feel that I'm writing about the world, through my own eyes. ... I have a love for simple basic song structure, although sometimes you'd never know it. ... Most of the songs I wrote at night. I would just wake in the middle of the night. That's when I found the space to write.
The tribe is whatever we believe it is. If we say the tribe is all the Little Ones in the forest, and all the trees, then that is what the tribe is. Even though some of the oldest trees here came from warriors of two different tribes, fallen in battle. We become one tribe because we say we're one tribe." Ender marveled at his mind, this small raman [member of another sentient species]. How few humans were able to grasp this idea, or let it extend beyond the narrow confines of their tribe, their family, their nation.
I think for writers, I think it's really important to court eviction from your tribe: to expose things and to wake people up. And so I think that that can feel like a violation to the people you love the most.
People want to be in their own fashion tribes, so they want to wear the same clothes to be connected to everyone else in that tribe. But they want to be different from other tribes.
In ancient British times, the whole country belonged to tribes, and the tribes owned their several districts. At the head of each tribe was the chief.
The surrealists, and the modern movement in painting as a whole, seemed to offer a key to the strange postwar world with its threat of nuclear war. The dislocations and ambiguities, in cubism and abstract art as well as the surrealists, reminded me of my childhood in Shanghai.
I really like and singing, and songwriting and producing. It depends on the song and the mood and who I'm working with, what the song is about and where it came from, any number of things affect the levels of creativity. I try not to do too much delineating with my art. Really, it's art, so for me I don't have a most, I just really enjoy my entire process.
I really have created a family. I work with the people I love, I travel with them, I make films with them, and I'm in an office with them. So in a weird way - I know I haven't birthed a child - I feel that I'm a part of creating a family. It's a tribe. I love that word.
I think a lot of people are involved in art because of the fashion of art and the conversation. It gives them a certain sophistication, something to speak about. But art is, if it's conceptual, really about understanding the concept. And if it's beautiful, it's about seeing the beauty. It's gone much further than that now. There's too much commercialism attached to art. If the market cracks one day big-time, you'll frighten so many people away who will never come back. Because they don't really feel for art. People who buy art should want it because they love it, they want to enjoy it.
Belief that your tribe is good and other tribes are evil is what everyone thought for most of human history.
I think Twitter is the literature of the 21st century. I think it's an incredible art because when you make a book, you don't know who reads it. But every line, I write a million people, they read it, and then they insult me, they love me, they discuss, they give an opinion instantly, immediately. They are completely in communication, immediately. That is a real art.
I think when you have one song that does really well, people love you from that song, or they hate you from that song.
Art is humanity's most essential, most universal language. It is not a frill, but a necessary part of communication. The quality of civilization can be measured through its music, dance, drama, architecture, visual art and literature. We must give our children knowledge and understanding of civilization's most profound works.
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