A Quote by Regina Spektor
This is the way I want to die. Torn apart by angry fans who want me to play a different song.
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This is the way I wanna die. Torn apart by angry fans who want me to play a different song.
Sometimes, I want to talk on a song and be angry, because I am angry. Then there's always a part of me that remembers that this record lives past my being angry, and so do I really want to be angry about that? Is that feeling going to have longevity?
I don't want an angry song with no silver lining ending up on my album. Then I'd have to play, or feel obliged to play, that song every night in repetition as a mantra of anger.
Some actors are like flowers basking in the sun - they love the attention, and the fans get what they want. With me it's different. I know the fans aren't getting what they want. And I'm certainly not getting what I want.
Play the way you want to play. I want to give as much power back over to the player as possible. That's where games are leaning: give me the tools, let me do what I want to do with it. Let me solve the problem the way I want to solve it - experience the combat the way I want to experience it.
The fans motivated me. They gave me the incentive to want to play and to want to win and to continue to play as my career progressed. They were never a distraction.
The only way for me to be an artist is to be honest in my craft. If I veer from that, I'm not giving the investors what they want. Sometimes it's my job as an artist to know what I want to do, even when the fans tell me different.
It's humbling to know that you have fans all over America and all over the world and they want you to play on their respective basketball team. It's very humbling that they respect the way I play the game of basketball. I can't discredit that. I can't say I don't enjoy it because you put in a lot of hard work to have fans. And for me to be a role model and for me to have fans all over is great. It's very humbling.
I'm only ambitious in the sense that I want to work in as many different media as I can and to play characters which are different to me and to each other. I want to do work that frightens me or challenges me, be it in Dublin or Zimbabwe. I just want to be working.
People always say that music is a universal language. It was very, very true. We could show up anywhere with any people speaking different languages and we could just be like, "You want to play that song? Yeah, okay." We would usually want to play Latin American songs, and they would usually want to play Santana or Jimi Hendrix and stuff like that. So we would trade off. So yeah, we were able to make a lot of friends that way and meet a lot of local musicians. It was a great experience.
I got so far away from what they told you in acting class: Do something different. Producers kept offering me the 'Sister Act' movie, but I said, 'My fans don't want to see me in a wimple.' I literally said, 'My fans don't want to see me in a wimple.'
I'm getting older and the performance onstage was definitely, it was a bit sexier, but it wasn't too much. I don't want to scare off my fans. At the same time my fans are growing up with me, and I don't want to go way over the top.
When I die, I want them to play The Black and Crazy Blues, I want to be cremated, put in a bag of pot and I want beautiful people to smoke me and hope they got something out of it.
Let me fill you in on a few of my beliefs. First of all, I believe that I'll dress the way I want and I'll act the way I want. But most importantly, these fans don't just look at me for my appearance, they love me for what's on the inside.
As an artist, you never want to write the same song again, you always want to challenge yourself to writing in a different way.
It's not that I don't want to, it's just that there's no money in it. By that I mean the way the video business works now, the artist and the record label send out a song to a bunch of different directors and say, 'What would you do with this?' Then everyone has to come up with an idea and bid on it. For me, it's like, 'Hey, you want me to do it? Then pay me. I'm not auditioning for you.'
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