A Quote by Reginald Fessenden
[In relation to business:] Invention must be its keynote-a steady progression from one thing to another. As each in turn approaches a saturated market, something new must be produced.
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[Omin] ...All things must progress, and progression is not always a steady incline. Sometimes we must fall, sometimes we will rise - some must be hurt while others have fortune, for that is the only way we can learn to rely on one another. As one is blessed, it is his privilege to help those whose lives are not as easy. Unity comes from strife, child." Page 193
The music and movie business has been consistently wrong in its claims that new platforms and channels would be the end of its businesses. In each case, the new technology produced a new market far larger than the impact it had on the existing market.
A genuine invention in the realm of ideas must first emerge as an abstruse and even partial concept? At first blusha new idea appearstobe verycloseto insanity because to be new it must reverse important basic beliefs and assumptions which, in turn, have been institutionalized and are administered by one or another kind of priesthood with a vested interest in an old idea.
Each of us must find a way to give back to society. Each of us must choose one thing we can do to help another, less-fortunate Indian.
We can't say that we believe in each other's fundamental humanity, and then turn a blind eye to the reality of each other's existence, and the truth of each others' hearts. We must be allies and we must be allies in this business, because to be represented is to be humanized, and as long as anyone anywhere is being made to feel less human, our very definition of humanity is at stake, and we are all vulnerable.
Dreams must be steady (Sthir). When dreams are steady, they take form of determination (Sankalp) and when you combine them hard-work, they turn into accomplishments (Siddhi)!
What must novel dialogue . . . really be and do? It must be pointed, intentional, relevant. It must crystallize situation. It must express character. It must advance plot. During dialogue, the characters confront one another. The confrontation is in itself an occasion. Each one of these occasions, throughout the novel, is unique.
There is no nation on the planet better able to adapt to this change than our nation. We must able to work collaboratively with others. We must anticipate these threats before they happen. This is the new sort of challenge, the new sort of threat that does, in fact, require new thinking, fresh approaches and new leadership.
Castle Rock and New Line each have their strengths, but the great thing about New Line is that they are a real focused-market, niche-market player who understand franchises. They probably understand the franchise business in motion pictures better than anyone else out there.
For Europe, for ourselves and for humanity, comrades, we must turn over a new leaf, we must work out new concepts, and try to set afoot a new man.
The old must always make way for the new, and one thing must be built out of the ruins of another. There is no murky pit of hell awaiting anyone.
Subjects who reciprocally recognize each other as such, must consider each other as identical, insofar as they both take up the position of subject; they must at all times subsume themselves and the other under the same category. At the same time, the relation of reciprocity of recognition demands the non-identity of one and the other, both must also maintain their absolute difference, for to be a subject implies the claim of individuation.
However much I may be impressed by the difference between a star and the dark space around it, I must not forget that I can see the two only in relation to each other, and that this relation is inseparable.
You must be very creative in our business. Creating in this business is making something new, but it is also touching on something old.
Man must become comfortable in flowing from one role to another, one set of values to another, one life to another. Men must be free from boundaries, patterns and consistencies in order to be free to think, feel and create in new ways. Men have admired Prometheus and Mars too long; our God must become Proteus.
Each piece of dialogue MUST be "something happening". . .The "amusing" for its OWN sake should above all be censored. . .The functional use of dialogue for the plot must be the first thing in the writer's mind. Where functional usefulness cannot be established, dialogue must be left out.
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