A Quote by Reginald Hudlin
If comics are modern mythology, then black participation and representation is crucial.
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There are a lot of good comics, no doubt, but as far as the quality of the comics goes, I think what you have is a bunch of situational comics - there are black comics that work only black crowds, gay comics that do only gay crowds, and southern comics that only work down South, and so on with Asian, Latino, Indian, midgets, etc. The previous generation's comics were better because they had to make everybody laugh.
For black people in the western hemisphere, if you can't generate a mythology that creates models of heroism and power out of the mythology that you had, then that means that somehow the mythology you had was not only feeble and weak, but that you are ultimately a powerless people. That's a notion that, I think, that can't be accepted.
For a lot of comics who aren't as silly or physical but more intellectual, we get looked at as 'alt comics.' No, I'm still a black comic, and there are black people who want to hear my type of black comedy, but that space hasn't been built out for us.
With my representation of a black woman in the world today, there's such a powerful response from my community about what it means to have black representation on television. That response is so overwhelming and so strong that I just have to express my own gratitude for it, because I understand the necessity for it.
If science fiction is the mythology of modern technology, then its myth is tragic.
It's important to be able to have representation for black queer women, because I feel like there's not much representation for them in the mainstream.
I've always hated superheroes. I cannot stand them. I love Norse mythology, but I hate superheroes. They ruined movies, then comics, and now games.
I used to like Norse mythology, Greek mythology, Egyptian mythology. All mythology!
The business of art is no longer the communication of thoughts or feelings which are to be conceptually ordered, but a direct participation in an experience. The whole tendency of modern communication...is towards participation in a process, rather than apprehension of concepts.
I live making comics. Comics is an industrial art but less suffering, because comics are for young people who are more adventurous. I do that. I live off comics, and then I write books, but when you want movies, you cannot make movies without money.
There is a very diverse range of superheroes, especially with the Firestorm character. In the comics, there is a black Firestorm. But we still don't see that many black superheroes. So what The CW is doing and what DC Comics is doing with this whole universe with diversity is absolutely amazing.
Because once the black man becomes the political master of his own community, it means that the politicians of that community will also be black, which also means that he then will be sending black representation or representatives not only to represent him at the local level and at the state level, but, but even at the federal level.
I love the entire 'Constantine' mythology, the 'Dead Man' mythology, the Alex Holland 'Swamp Thing' mythology.
Historically, diversity has been a real issue for superhero comics - so we need to do something about it, crafting strong, modern heroes for a modern audience.
I'd love to see more equal representation of female and male cartoonists on the comics page.
One of the things that really intrigued us the most about the whole Wonder Woman mythology is the actual mythology of it. Her character has distinct roots in classic Greek mythology.
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